Followers

Showing posts with label culture. Show all posts
Showing posts with label culture. Show all posts

Friday, April 27, 2012

Our Modern Culture

"I think that one possible definition of our modern culture is that it is one in which nine-tenths of our intellectuals can't read any poetry." ~ Randall Jarrell

Sunday, October 16, 2011

Kansas City at the Crossroads of Cultural Growth

In Kansas City, Missouri the Crossroads Art District has transformed vacated light business manufacturing structures into a thriving area. To the south of the Power & Light Entertainment area it offers yet another reason for people to go downtown at night rather then workers flee the business area for the suburbs come 5 p.m.

One of the  successes of Crossroads has been to stabilize an otherwise declining or at best stagnate part of the city. This has not happened overnight but has grown and in some respects once might consider that it has been enough of a success that for the new artist seeking a place to hang his or her hat & art, the options available may be tougher to find.  This has been the case in many other successful urban areas who have sought to revitalize areas by attracting the Bohemian demographic.

Such urban planning in many big cities began several decades ago. For Kansas City, the growth began perhaps less then ten years ago. This year however, the completion of our new center for preforming arts nearby is like icing a cake.

A New York Times piece by Elizabeth Curric-Halkett,  Where Do Bohemians Come From?  discusses the phenomenon of cities getting into the act of job creation in the arts. Currie-Halkett who is an assistant professor of urban planning acknowledges the success takes more than grants and tax breaks to make an art community that thrives. The Crossroads area in Kansas City had a lot of the kinds of structures that she insists are necessary for the success of such ventures, like oversized buildings, oversized doorways, lots of concrete flooring. 

I am well aware that the neighboring state of Kansas has battled Governor Brownback over funding for the Kansas Arts Commission. These are not easy economic times for any industry and people often look at the arts as one of the first places to cut. Going clear back to my days in school the music and other art departments were constantly fighting to maintain levels of funding much less come under the knife. 

There is this common portrayal of art as something for the rich. A frivolity that is not needed by most and therefore of less importance. Actually it is times like these when I feel that art has the most to offer. It is the distraction so many need from unemployment, foreclosures and food pantries.  Art is a human experiance and is most importamt at those junctures where humanity is most threatened.

I hope we see more successful art districts spring up throughout the country in the next couple of years and I sincerely hope that people everywhere get to experiance the art they deserve.






Friday, December 31, 2010

2010 Looking Back

A  Looking back on the year ending ....
  
We said Hello to

  • Health Care Reform
  • Inception
  • Toy Story 3
  • Ipad
  • Chevy Volt
  • Groupons
  • Glee
  • Hot in Cleveland
  • Rand Paul
  • Bailouts
  • John Boehner 
  • Tears
  • Orange skin tone
  • Joe Miller
  • Scott Brown
  • Lady GaGa
  • Katy Perry
  • San Francisco Giants
  • Body Scans
  • Branding (not cattle)
  • Cupcakes
  • Jerry (Moonbeam) Brown - again
  • Redistricting
  • Borrowing from China
  • Tax breaks for the wealthy
  • Bill Clinton - again



We said Goodbye to:

  • Joe Miller
  • Witches
  • Christine O'Donnell
  •  Toyota
  • Texting while driving
  • San Diego Padres
  • Texas Rangers
  • Sheen in the Gulf
  • Crashing State Dinners
  • Tom Delay
  • Jobs
  • Failed Banks
  • Privacy
  • Trading Chickens for Health Care
  • Census
  • Immigration reform
  • Swine Flu
  • BP
  • Hallaburton by any name
  • Dick Cheney
  • Don't ask don't tell
A Few People Who Passed On in 2010

  • Barbara Billingsly
  • Art Linkletter
  • Tony Curtis
  • Eddie Fisher
  • George Steinbrenner
  • J.D. Salanger
  • Joan Southerlans
  • Edward M. Kennedy
  • John Forsythe
  • Lech Kaczynski
  • Lynn Redgrave
  • Lena Horne
  • Peter Graves
  • Tom Bosley
  • TeddyPendergrass
  • Bella Akhmadulina
  • Robert Dana
  • Andrei Voznesensky
  • Robert Byrd
  • Lucille Clifton





    Your List? - Who and What did I miss?


Saturday, November 27, 2010

Opera Company of Philadelphia "Hallelujah!" Random Act of Culture



First - Credit to Suzanne Frischkorn who posted this - which is where I originally found it. I love Handel's Messiah and in particular the Hallelujah Chorus. Thanks Suzanne for making my day!

Saturday, July 24, 2010

Sayin it in fewr ltrs



The other day I was talking with a co-worker and made the comment that back when I was in school a mouse was just a rodent. In reply she quarried, "isn't it still?" I said, "What's that on your desk?" Her chair swerved back away, "Where?"  This isn't a a ditzy person.  Some changes we hardly bat an eye over anymore and clearly parts of language are among them.   Pauk Jury's "5 Ways Texting Is Ruining Changing English" illustrates some of the ways we've progressed (I don't mean that like it sounds) in the past few years.

I'm interested if anyone is employing or even stops to consider employing some of the common Textese language in there poetry?  Maybe for effect? Ok, I mean besides in Flarf. Such language modifications are a part of our changing culture. 






Thursday, January 14, 2010

Some cheery news

After a two year absence from New York busses and subway, Poetry in Motion is returning. Poetry in Motion had been in opperation for 15 years and became a  model for other such programs in other cities.

For a glimpse of what commuters will see in 2010 - some Emily Dickinson, a 10th century Japanese poem, a 9th century Aztec poem and a "cheeky, chiding poem" by Stevie Smith called Deathbed of a Financier among other works.

Source

Saturday, June 27, 2009

Holy Cow -A Pastor Celebrates Handguns

The Saturday Night Special is defined by Wikipedia as pejorative slang used in the United States and Canada for any inexpensive handgun.  Tonight pastor is Ken Pagano of the New Bethel Church in Louisville, Kentucky is having “Saturday night special” service for gun owners.

According to CSMonitor.com article, 'About 200 people took him up on the invitation. It wasn’t mandatory to have a gun to get in. In fact, according to the church website, you didn’t even have to believe in God. The only requirement was to be a supporter of the First and Second Amendments.'

Actually the Saturday Night Specials were the target of most of the early gun control legislation.  They are not hunting sport weapons and really have only one purpose, a cheap weapon to use against another person.

I find the mixture of Church and cheap handguns to be a most interesting marriage. We do love our guns in this country. In fact the gun culture in America has within it a a cult base that harbors a fanatical fixation on guns. Some to almost a level of "gun worship." Perhaps Pastor Pagano is one such worshiper. I don't know him personally but what I do know is his works and I am suspect of any pastor who feels compelled to use church resources to advance and celebrate the cause of "Saturday Night Specials." These cheap handguns have victimized so many families, from accidental shootings (many of which are children) to suicides to passionate arguments that end in one or more shootings and last but not least armed criminal acts.

Monday, July 07, 2008

Prose vs Poetry



Perhaps one aspect if poetry that rubs present day norms the wrong way is it generally requires us to exercise some degree of imagination. There was a day when that was common place. We listened to radio and thought nothing about it as we exercised our mind to create what we could not see. We’ve become more of a prose society. Like TV we want it all right there spelled out for us in living color.

Tuesday, April 08, 2008

Blogger, McCain, Iraq, et al

I'm not posting my day 8 NaPoWriMo draft poem yet.... because it has yet to be drafted, but we are at day 8 of the month and blogger still has my NaPoWriMo blog (created just for this April project) hostage because "I may be in Violation." Somehow, I think this should like make me feel dirty or something. I don't. In fact I'm feeling really pissed. I wake up each morning and it's starting to feel like it's dragging on into.... gee I don't know, the same place the Iraq war is going- infinity.

There, now see what you did blogger? You got me started on the war. And speaking of the war, the military top brass will be up on the hill today to update us on the current situation in Iraq.

Here in Kansas City, Sen. John McCain delivered a speech on Iraq. ABC World News said last night McCain "accused Barack Obama and Hillary Clinton today of a failure of leadership for promising to withdraw US forces from Iraq." McCain "told the Veterans of Foreign Wars that promising withdrawal from Iraq without considering the consequences is in his words, 'the height of irresponsibility.'" NBC Nightly News said McCain "delivered a glass-half-full message about progress in Iraq." McCain was shown saying, "We are no longer staring into the abyss of defeat. And we can now look ahead to the genuine prospect of success."

This brings me to the question I'd like McCain to answer. Exactly would "success" in Iraq look like. It's interesting that both McCain and the Bush Administration have dropped the term, "victory" that has been used for so long. We were told over and over the Democrats wanted to "lose" the war and the Republicans wanted to "win" it. When pushed to describe what a "victory" or "win" in Iraq would constitute rather than define that elusive term, they have now chosen the term success. It question remains. What would success in Iraq look like. What would be the benchmark that we could look at and say, yes, we are there? The fact of the matter is McCain can't look the American people in the face and tell us what it is because he hasn't figured it out himself.

Because he can't define it, he can only use evasive terms about the future. We are suppose to accept that because there was a downward turn in violence during the surge, "we're closer". Closer to when and What?
The violence has picked up. It's Iraqi against Iraqi violence and America in right in the middle. Now they want to freeze troop levels at pre-invasion levels. Our military presence has weakened our readiness for American defense elsewhere.

There are serious questions aside from the obvious Military ones. None of the massive expenditures on this war are part of any budget. For five years we have waged a grossly expensive military operation on credit. $12 billion a month is what it's costing presently, and that is not including costs to benefits and medical care for returning veterans that will be continuing for many years. When we are asking ourselves, are we safer because of this war? I think we have to ask, what the cost to our security is if we are economically crippled because of it?

Meanwhile, a related breaking story of interest: Draft agreement could allow US troops to remain in Iraq 'indefinitely'

Oh, and how about the special Pulitzer for Bob Dylan, citing the mark he has made on our culture over decades. Isn't that an interesting bit of news?

Friday, January 18, 2008

A Life's Work

mood: nonchalant
listening to: nothing


Yesterday, Laura Spencer with KCUR our local NPR affiliate did a really interesting interview with Kathrin Goldman, the widow of Lester Goldman a Professor of Painting at the Kansas City Art Institute for almost 40 years. Goldman worked in painting, sculpture, preformance and set design until his death in 2005 and was a prolific artist.

Evidently, Goldman had massive amounts of work between his home and studio. With the help of some former students Kathrin was able to catalogue the work which will be on display and for sale
tomorrow.

Lester Goldman: A Life's Work
1619 Walnut Kansas City, Missouri 64110
816-651-3757
January 19th, 12-5 p.m.

Saturday, December 29, 2007

Fools Gold?


Wine anyone? At left is a snapshot of a portion of an art piece that was done the the top raps of wine bottles the cover the corks. A gripping piece of art work my daughter and I saw yesterday. When I first saw it from a distance I had no idea what the medium was but it locked on me like a heat seeking missile and we were inseparable at that point. I had to see it up close.
The brilliance reminded me of fools gold. Sort of chunky and multi layered in texture. I wanted to bring it home though it would have taken a massive wall to display it on.
We saw a number of exhibits - many old black and white photos - lot of them civil war era. I am continually impressed with what a talented photo artist can do with black and white.
There were some civil war battle photos. I was remarking to my wife how gory they were when Meghan (daughter) took issue with the gore description. And she was right. They were certainly not gory by cinema or even news standards today, but they were disturbing none the less in a very real way.
While there was not the blood and or mutilation we often equate with gore, many were battlefield shots taken the day after a battle. The stiff and sometimes bloated bodies would have configurations of limbs that suggested that many were left dying - scattered about the landscape perhaps for hours in pain, or one reaching for another nearby in life and frozen in that reach to their final ounce of remaining life was gone. It was perhaps more properly a morbidity than gore.
Today we took Meghan to Christopher Elbows Chocolate to celebrate her birthday. You want decadence? Try it. There is supposed to be one opening in San Francisco for you out west.

Monday, December 17, 2007

Dan Fogelberg 1951-2007

Dan Fogleberg, singer and songwriter whose hits "Leader of the Band" and "Same Old Lang Syne" helped define the soft-rock era of the late 1970's died Sunday at his home in Maine after battling prostate cancer. He was 56.

Leader of the Band Run For The Roses

Thursday, December 13, 2007

Sunday, November 25, 2007

Who is art for?

Question? Should art be only for the elite or financially comfortable in society? Before you answer that question, read this article.

Tuesday, October 02, 2007

Queen Latifah Tunes into 'Trav'lin' Light'

From NPR / "My mom played 'Poetry Man' a lot when I was a kid in the house. I mean, she played that album endlessly," says Latifah, whose real name is Dana Owens.

Around the time Queen Latifah was choosing songs she would record for her new album, she happened to hear "Poetry Man" on the radio and thought she might like to try it.
"But since I knew this was one of my mom's favorite songs, I had to go ask her" what she thought about her daughter covering "Poetry Man," Latifah says.

Owens says she told her daughter: "You know Dana, that's not an easy song to do. And you have to do Phoebe Snow justice. If you're going to take on a legend's song, then you have to really step to the plate."

"She recently heard it and she really likes it," Latifah says. "She felt like I kind of followed the template but sort of made it my own."

full story

Trav'lin' Light' is Queen Latifah's second album of popular jazz and R&B songs.

Thursday, September 27, 2007

Separating the Art from the Artist... or can we?

A New York Times article [Poetry Prize Sets Off Resignations at Society] details a controversy that has grown within the Poetry Society of America, but it seems to me it has raised even larger questions for the world of arts and literature, questions which I have not formulated a view as of yet.

The issue within the PSA centers around an award, the Frost Medal, which has been awarded to the poet John Hollander. The worthiness of Hollander's poetry itself is not in question, but a statement made by Hollander referring to referred to West African, Mexican and Central American as “cultures without literatures," and an interviewer on NPR who had paraphrased him as saying, “there isn’t much quality work coming from nonwhite poets today.”

Should such remarks be taken into consideration by the PSA or any organization seeking to honor a poet, writer or artist of any kind? Or, should the artistic work they produce be the soul basis for such recognition? The Hollander incident is of course not an isolated incident of controversy among poets. Ezra Pound for example is widely know for his anti-Semitism. Should that fact detract from the literary appreciation of his work? Can we appreciate great works of art and literature without bestowing accolades and honors upon the artists themselves?

No, I still don't have and answer to these questions, and I am sure this is not likely to be the last time this issue arises.

Wednesday, September 26, 2007

Books On Trial



Last night I attended a event at the Kansas City Public Library in with authors Shirley & Wayne Wiegand presented a factual account of a historic 1940 incident in which Oklahoma County officials confiscated the entire contents of a local bookstore then put the proprietors and patrons of the store on trial not for anything they did, but for the contents of the books on their store shelves.

The story of their arrest, conviction and the battle for some three years to get their convictions overturned is an interesting and chilling one. The implications of this care are far reaching when considered against some of our government's actions today. Not only were these individuals victims of the governments fear of communists, but the basic fundamental rights of our constitution were victims as well.

I was especially surprised how significant racial overtones were in the prosecution of this case. I know Oklahoma is a southern state, but not the deep south, and none of the defendants were black. It was their association with civil rights issues that were paraded before the jury.

Over the next three years, the public outcry as news of this case spread throughout the U.S. ultimately sent this matter to a appellate court and the convictions were overturned. Libraries and Universities throughout the country cited that they were likely equally guilty based on the fact that many of the books the prosecution cited in their case were on their shelves as well. No evidence of any subversive or violent actions by the defendants to overthrow the government were ever presented. It was all purely based on the contents of the bookstore and the inflammatory suggestions that these individuals would dare suggest that blacks and whites have equal rights.

It is a story worth reading. The book: Books on Trial - Red Scare in the Heartland - authors Shirley & Wayne Wiegand

Tuesday, September 25, 2007

ei: Arab poetry's sometimes subversive answer to "American Idol"

ei: Arab poetry's sometimes subversive answer to "American Idol":

"Perhaps the only thing that is as hard as translating Arab poetry to other languages is trying to explain to non-Arabs the extent of poetry's popularity, importance and Arabs' strong attachment to it. Whereas poetry in America has been largely reduced to a ceremonial eccentricity that survives thanks to grants and subsidies from fanatics who care about it too much, in the Arab world it remains amongst the most popular forms of both literature and entertainment. Whereas America's top poets may struggle to fill a small Barnes & Noble store for a reading, Palestine's Mahmoud Darwish has filled football stadiums with thousands of fans eager to hear his unique recital of his powerful poems. And while in America a good poetry collection can expect to sell some 2,000 copies, in the Arab world the poems of pre-Islamic era poets are still widely read today in their original words, as are those from the different Islamic eras leading to the present." [Full Story]

Sunday, August 05, 2007

The Immigrant Poet Laureate

Jilly presents an interesting take on the selection of poet laureates in the U.S. While this is not totally new information to me, she has presented some good reference material and demonstrates the tendencies toward NE geographies and the male gender. Much will be made of it because much was made of it the last time, a NE male then too.

In my own humble view, there are quite a few women I believe would be excellent candidates. I am perhaps more bothered by the gender issue than the geographical one. Why? I suppose being from the Midwest I should have been jumping for joy at the Kooser appointment. It turns out that his being from a neighboring state meant little of nothing to me.

I believe what may say a lot about the latest selection, and a very positive way to view it, would be that Simic is a first generation immigrant to the U.S. This at a time when our own American culture seems to be at such odds with our own American heritage. Simic was born under the dark shadows of very troubling times in his native land. I've seen in his work a more worldly view of life and I think this is a good time for Americans to experience a poet with such background.

On another note my copy of Poems from Guantanamo: The Detainees Speak arrived on Friday.

Thursday, July 12, 2007

Poetry Amidst the Kultursmog: An Interview with David Yezzi.

MND: News and Commentary Since 2001 » Poetry Amidst the Kultursmog: An Interview with David Yezzi.:

"David Yezzi is Executive Editor of The New Criterion and the former director of New York’s Unterberg Poetry Center of the 92nd Street Y. He is a well-known poet whose published collections include The Hidden Model and Sad Is Eros. His libretto for a chamber opera by David Conte, Firebird Motel, was released as a CD earlier this year by Arsis. His essays have appeared at Poetry, The Wall Street Journal, The New York Times Book Review, The New York Sun, and The New Yorker. He has earned degrees from Carnegie Mellon University and Columbia University School of the Arts."

This interview is a very interesting read.