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Tuesday, June 20, 2006

What they are saying about Donald Hall

Here is a sampling of things that are being said about our next Poet Laureate - Donald Hall:

  • "He's a highly sophisticated intellectual with an Oxford education who nevertheless presents himself as a poet of simple New England pleasures and forthright passions." National Post (part of Canada.com)
  • "Upon the selection of Donald Hall, a 77-year-old New Hampshire resident, last week, I discovered that no federal money is spent on the position. The $40,000 annual budget -- $35,000 for expenses and $5,000 for travel -- is donated by the Archer M. Huntington Foundation, so don't blame poetry for the $8.4 trillion U.S. budget deficit." Arizona Daily Star
  • "Hall, the nation's new poet laureate, writes about love and death, war, baseball, life in rural America and other things. Yet, we Americans turn instead to Oprah and Jerry Springer, ESPN and the Weather Channel. We lust for news, day and night, about Brad and Angelina. Is it possible for any poet to get a verse in edgewise in this culture? It is Hall's job to try. As the poet laureate, his assignment is to find ways to raise America's awareness of poetry." Herald-Tribune
  • "In this country there is no job description for the poet laureate. And yet the title, which carries a stipend and a travel grant, is not entirely honorific. It's assumed that the laureate will try to advance the cause of poetry
  • " especially the public awareness of poetry" in a manner somehow separate from the writing of poems. To speak on behalf of poetry sounds like a natural task for a poet, and for some poets it certainly is. I don't know whether Hall will turn out to be that kind of laureate, and, in a way, I hope he doesn't. So much of his poetry has emerged from the rigor of his privacy from what appears in his verse to be a deep, unsettling sense of what's possible in one's life. There's always the temptation for the laureate to find some anodyne ground to stand on. But these are not anodyne times." Rutland Herald
  • His life (Hall's) has not been without tragedy. When Hall was diagnosed with cancer several years ago, it was widely assumed that the disease would claim his life. He made a remarkable recovery, only to lose his wife and fellow poet Jane Kenyon to leukemia. Hall has chronicled their marriage in an eloquent recent memoir, "The Best Day the Worst Day." "String Too Short to Be Save," a lyrical memoir of Hall's New England childhood, appeared many years ago. A representative sample of Hall's poetry can be found in "The Museum of Clear Ideas," which includes, among other things, a set of poems about one of Hall's favorite subjects, baseball. We do not know whether poetry, like baseball, will ever be hailed as a great American pastime. But if anyone can promote the idea of poetry as something to be savored, it's Donald Hall." 2the advocate.com
  • "The NY Times announced this morning that New England poet Donald Hall is expected to be named the successor to Ted Koosner. So how many of us immediately thought of Robert Frost when we heard the phrase "New England Poet"? It just conjures up all these bucolic images of white clapboard cottages and low-rise stone walls (good fence make good neighbors, after all), maple trees forever caught in the fall explosion of color, soft spoken poets with down-home folksy attitudes. A sort of Garrison Keillor vision for the northeast. According to the story (which I'm going to have to go on because I have NO idea who Donald Hall is), our new laureate-to-be is rather outspoken about arts funding and plans to use his new position as a means for expanding the reach of poetry in society. Noble, noble aims. This was something both Robert Pinsky and Billy Collins advocated (and still do). If anything needed to be brought out of the Ivory Towers of academia and into people's everyday consciousness, it would be poetry." Orlando Sentinel
  • "I don't know the work of Donald Hall. Indeed, until yesterday, I'm not sure that I had even heard of him. Certainly, the name hadn't stuck." Ready Steady Book
  • "Hall's a good choice for the role of laureate, because his real strength is not so much his own poetry as his support for other poets, and the position is one that's as much about politics as it is about poetry. He's definitely a denizen of the more traditional and (aesthetically) conservative wing of the poetry world, and often passionately so, but he has nonetheless supported quite a wide range of writers. He helped found and continues to guide the Eagle Pond Poetry Series at a local college, a reading series that's often diverse and illuminating." The Mumpsimus
  • "I'm pleased by the news Donald Hall has been appointed the new Poet Laureate of the United States. I have a very low opinion of modern American poetry, but Hall seems like the best of a bad bunch. His poetry especially after his wife died was particularly moving. I'm not that familiar with Hall's work--I think I may have an anthology of someone else's poetry that was compiled by him--mostly because I tend to dislike modern US poetry. But, frankly, I like the idea of government-funded highbrow culture, even in the United States. " Voyeuristic self-indulgence
  • "Donald Hall is the new Poet Laureate. I have always loved him. Specially since the 90's when I saw him read poems at University of Michigan in Ann Arbor. He was teaching there then." tiny things are nice
  • "Donald Hall is the first poet I discovered on my own. I was in highschool and held to the idea that modern poetry was crap and if it wasn't written by one of the early greats then it isn't worth reading. I was a teenager. I knew everything. I found scurrying through the magazine rack a poetry journal with a few of his poems. I was so blown away by his work that I went right out and bought one of his books. Two years ago I finally got to meet him." Cubicle Reverend
  • "Nothing against the new U.S. Poet Laureate, Donald Hall. I'm sure he's due, well-qualified, palatable to the masses, etc. Alas, there were no worthwhile poets of the other gender available for the position? Any recommendations? And I won't even get into race. So without further ado, for the love of poetry:
    U.S. Poet Laureate Timeline [1937 - 2006 = 36 Men and 8 Women]" amy king.org
  • "Yes! Yes! Donald Hall has defied the odds to be named the new poet laureate of the United States! Hall, dude, you rock!I feel kind of bad for Oates, though." The At Largee Blog
  • "Donald Hall is one of the better poets around, and certainly rises above the mediocre ranks of the established names. His lyrical style is quite sharp and straightforward, and he's superbly economical (the white space on the page plays a big role in many Donald Hall poems). His voice is never flowery or airy, but neither does he indulge in sweaty vulgarity like many poets who fear being flowery or airy." metaxucafe
  • "Hall's poetry just doesn't grab me. A Poet at Twenty really doesn't do much for me, I'm afraid. In fact, I downright dislike it. An Old Life, I get, though it still doesn't really sing to me. I get The Man in the Dead Machine, and no, not because it's about an airplane! It's not just any airplane, incidently. It's a Hellcat. Nonetheless, it still doesn't hit me where I think I should feel poetry. Where is Keats when you need him? What's happened to Yeats? Maybe I'm just spoiled by collected poetry going back (for me, at least) to John Donne, but I'm really not so sure of Hall's poetry. Anybody find his poetry arresting? Please tell me about it." Mojave Jack
  • "I'm sure many of you have heard this already but I just found out that the new poet laureate is Donald Hall. I'm sure Robert Bly is thrilled..." Steve's House of Love
  • "- an exponential improvement over his prairie predecessor." The Elegant Variation

There you have it... some good, bad and indifferent.

Monday, June 19, 2006

The Seattle Times: Arts & Entertainment: Berkeley agonizes over bookstore's closing

Cody's - the famed independent bookseller where poet Allen Ginsberg once howled, 1960s activist Mario Savio once clerked and author Salman Rushdie defied a fatwa, will close after 50 years.

Thursday, June 15, 2006

Changing of the guard

I wanted to celebrate with news of a new Poet Laureate, Donald Hall, coming this fall.

Ted Koozer has shown great dedication to the post and I am appreciative of the publicity he has given poetry from his post. After two terms, I am very ready for the change.

I am especially ready for someone who is able to put more complexity on a page. While Hall is no Ashbery or Lowell, he is able to muster more depth to his work and I do not anticipate that he will divide the poetry dominion over accessibility.

Yes, he is another New Englander, but I am less concerned with the geography of where he is from and more with the geography of his mind. I am anxious and excited for his term to begin.

Wednesday, June 14, 2006

Hall to be named US poet laureate - The Boston Globe


Hall to be named US poet laureate - The Boston Globe


New Hampshire poet Donald Hall, will become the next U.S. Poet Laureate this fall according to an announcement by Librarian of Congress James H. Billington.

Hall received the news by fax last week and responded saying, "I feel grateful and excited and a bit frantic."

Hall is 77, a former New Hampshire poet laureate, has written poetry for more than 50 years. His 15th book was published this year and is titled, White Apples and the Taste of Stone, a selection of poems from 1946 to 2006.

The widower of poet Jane Kenyon, who died in 1995 of leukemia , he published a memoir of their marriage, The Best Day the Worst Day. A good many of his poems commemorate death and loss.

Some critics cite his complex, book-length poem, The One Day, as Hall's greatest achievement. It was published in 1988, however Hall spent some seventeen years in writing it.


Biography Some of his poetry

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Monday, June 12, 2006

Village of the Past, Present and Future

Village of the Past, Present and Future

My head feels heavy yet empty
Thoughts sparsely dot the skyline;
A village of the past, present and future.

The streets are deserted and ghostly.
My significance has found a vacant building
And withdrawn therein.



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Sunday, June 11, 2006

A New Poet for quoting this week

"Defeat may serve as well as victory to shake the soul and let the glory out." ~ Edwin Markham

Saturday, June 10, 2006

Responses - inappropriate & otherwise

A few items this Saturday morning...

  • Yesterday I was looking at google news and saw a link to this item Click here: The Poetry of Mass Movement - OhmyNews International - The significance of which is that Ivy Alvarez is mentioned in connection with her poetry chapbook anthology "A Slice of Cherry Pie." Small world!
  • Congratulations are in order for Christine Hamm who landed a teaching job at Rutgers!
  • "How the Ink Feels," a new exhibit in the Runyan Gallery of the Newport Visual Arts Center, features 71 matted and framed letterpress broadsides which illuminate poetry and prose selections by well-known writers. [story here]

Yesterday, Cindy at Quotidian Light posted the following quote on her blog:

"When artists discover as children that they have inappropriate responses to events around them, they also find, as they learn to trust those responses, that these oddities are what constitute their value to others."-- Kathleen Norris / The Cloister Walk

A couple of things have struck me about this quote since I first read it. The first being that I can't ever recall thinking myself an "artist" during my childhood. This immediately caused me to wonder if this is an anomaly? Should I have? It seems a stretch to me to think that most artists viewed themselves as such as children, but moving beyond that curiosity, I tried to recall inappropriate responses to events around me as a child. In terms of worldly events, I come up empty. Such earth shattering things as natural disasters, assassination of JFK and the likes that I view as a child on TV all seemed to me to be things that I reacted to pretty much the norm.

There were lesser occurrences, a more personal nature in my life, that I believe my responses to often seemed inappropriate at the time. Looking back I believe it was more that I even had a response that I was lead to believe was inappropriate, than what the actual response was. Considering I was on the end of that generation that was expected to be seen and not heard, I suspect this was not uncommon for others my age.

Today in the arts, I see examples of responses that are often viewed by many onlookers that something is being conveyed that is inappropriate. I think this universal across the spectrum of the arts, but perhaps it is more impacted in language arts because the consumer can identify with word definitions and reach conclusions or interpretations much quicker and with greater ease than say a painting, a photo, sculptor or music.

There are some for example who want poetry to be void of any social or political content. And sometimes they will superimpose such when it was not even the intent of the author.

Sometimes I feel I must be the only person in the country that did not write a 9-11 poem. I have read so many of them and quite frankly I was never able to bring myself to do so. I can appreciate that many found this perhaps therapeutic, but I don't think I would have been satisfied to simply add to the many sincere expressions of loss. For me a 9-11 poem could not simply be a me too exercise. And even as I think back on that day, deep down there were so many images and words that swelled inside and the end result of them may never be plotted on a page. But the fact remains that I did not feel a tremendous burst of patriotism. Nor did I want revenge. To many, those would seem inappropriate responses. I was not void of sadness or loss. Those were clearly within my vision. But I saw so much more as well.

If I take Kathleen Norris to heart with her message, then I am to believe that what I might create if I in fact did write a 9-11 poem would be of value to others. I have to ask myself, "In what way?"

An example of literary art that was considered by many to be inappropriate was that of Amiri Baraka, the New Jersey Poet Laureate who was asked to resign due to the uproar over his 9-11 poem. I wonder where the value to others was in this instance.

If Norris considers it dangerous to suppress art because of what some consider inappropriate responses to the world, I can agree with that premise. That is indeed a danger to society as a whole. Still, there is a risk to the artist for exercising honesty in his or her work, if that takes the consumer of such art to a place they are uncomfortable with.

So how do we learn to trust our responses? And maybe that is not the question at all. What if I trust my response but not the audience? How do I learn to deal with that?

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