Crab Creek Review Summer 09

                                                                                                          
Reading CCR this weekend – I just wanted to draw attention to a few poems that stood out to me.

• Gail White’s -  How I Spent My Time Since You Died
• Marjorie Manwaring  - Refusal
• Kimberly L. Becker -  Washing the Blankets
• Jill Crammond Wickham – Even with Clorox, June Cleaver Has a Tough Time Cleaning The Skeletons From Her Closet
• January Gill O’Neil – Tether
• Paul David Adkins – The Mouse in Iraq
• Maya Ganesan – Undefined
• Joannie Kervran Stangeland – A Crow Means Everything
• Buzz Mauro – Einsteinian Physics in Plain English

This is the first copy of CCR I’ve seen. I haven’t finished reading it, I usually like to read poems multiple times.  I was impressed with what I’ve seen,  My favorites so far are bolded in blue above.

Technorati Tags: Crab Creek Review

Religious Right & Wrong

What is it about the Religious Right element within the Republican Party that feels compelled to seethe such meanness of spirit?   The rhetoric from such people seems quite in contrast to Judo-Christian  spirit.
A classic example was a sad display Sunday afternoon, just nine hours before the scheduled  1 a.m. vote  critical to the Senate’s Health Care Reform bill, Republican Senator Tom Coburn (Okla.) went to the Senate floor and  proposed a prayer. "What the American people ought to pray is that somebody can't make the vote tonight. That's what they ought to pray."

Do we really need leaders that mix the darkest sides of human nature with religion and then insert it into how we govern ourselves as a nation? I find this kind of thing sickening.

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Homeless Awareness

Today is National Homeless Persons' Memorial Day

A few facts about homelessness...

• Research indicates that 40% of homeless men have served in the armed forces, as compared to 34% of the general adult population.
• Persons with severe mental illness represented about 26 percent of all sheltered homeless persons.
• 35% of the homeless people who are members of households with children are male while 65% of these people are females.
• 25% of homeless were ages 25 to 34; the same study found percentages of homeless persons aged 55 to 64 at 6%.
• Children under the age of 18 accounted for 39% of the homeless population; 42% of these children were under the age of five (National Law Center on Homelessness and Poverty, 2004). This same study found that unaccompanied minors comprised 5% of the urban homeless population.

Learn more here

Poetry breaks silence - NashuaTelegraph.com

Poetry breaks silence - NashuaTelegraph.com:

“Out of Silence” by Pamela Harrison; David Roberts Books; 87 pages; paperback; $18.

"What I look for in poetry may not be what you look for in poetry. I want the poet to tell me a story. Because the form requires the poet to keep the story short, I want the words to be precise. The poet should help me see by using concrete images. Sound is important. Even while reading a poem silently, I want to hear its music."  Story here.

An artist’s genius seen in pictures of ‘poetry’ - BostonHerald.com

An artist’s genius seen in pictures of ‘poetry’ - BostonHerald.com:


"In the late 1930s, Detroit native Harry Callahan was working as a shipping clerk at Chrysler Corp. He picked up a camera and taught himself how to use it.

Inspired by a workshop with Ansel Adams he took in 1941, within a decade Callahan became an influential figure in American photography." Story here

Set for the weekend

Earlier this week my Poets & Writers arrived and today the Summer 2009 Crab Creek Review I ordered was in the mail box. I’m set for reading for the weekend.

 

There’s a great interview of British poet Andrew Motion linked on the Huffington Post.  Christopher Lydon says "Harrowing clarity" is Motion’s stated goal. He laughs with us about trying to write poetry that looks like water and bites like gin. Click here!

 

Technorati Tags: Poets & Writers,Crab Creek Review,Andrew Motion

Project Poetry

Stephen Burt of the Poetry Foundation writes that “Project Runway," a popular cable TV show, holds lessons for poetry critics. Burt is not alone. Ron Silliman who has been writing on poetry for years thinks the show does a better job of showing creative people “being creative” than any television show ever. While such a view is subjective, there are few people who follow the creative cultural influences around us more closely than Silliman. Read his blog for a few months and you will see he isn’t missing much that goes on.

So on a morning drive into the city, my wife and daughter in tow, the subject turns to the idea of a poetry version of the popular show. I’m doing my best impersonation of Tim Gunn, the advisor who periodically checks in with the designers to offer kudos or a bit of cautionary advice as the case may be. “Ah, what have we got going on here, a Sestina; nice job. The envoi really works!” Shannon is not exactly feeling the excitement. “What, we are going to watch, segments of people hunched over paper with a pen?” Cathy joins in the discussion, “What would they be working towards, a chap-book?” I counter, “No, it has to be better than that, a book contract with someone like Faber & Faber or Farrar Straus & Giroux. I explain the cameras can follow the poets out into the world on outings… a gallery, a music performance, a scenic stroll or urban bustle and the poet would be talking about what they are seeing and feeling – then back to their journals and laptops for rewrite after rewrite. I think they are starting to see this and Cathy says, “Oh the best part would be the emotional drama when one poet is cut from the show.” Shannon counters, “No, no… the enormous joy and relief of the family getting rid of… err, I mean seeing the poet off to compete!” I quietly think, they are so not getting this.”