Thursday, July 03, 2008
Coffee...
Last night as I stood on our deck you just knew it was coming. Hand noting to do with my joints or aches, but rather the speed and magnitude of the clouds and how they were accessorized in gray.
Indeed, a thunderstorm followed.
This morning, the eastern sky is ablaze in sun.
I have an eye exam this morning. If they dilate my eyes I'll be blinded in this sun.
The first time I went to this eye doctor there were these two little gray haired ladies raving about how the office has the best coffee. Damn if they weren't right. It makes me look forward to going. If only dental offices served coffee like this.
Mary Oliver has such a way with words...
"About poems that don't work - Who wants to see a bird almost fly?"
Wednesday, July 02, 2008
A Voice of Our Own
Evidently Earth has a voice in space. According to astronomers, Earth emits an ear-piercing series of chirps and whistles that can be head in a recording here.
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"Today I am altogether without ambition. Where did I get such wisdom?" ~ Mary Oliver
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Unconscious Mutterings ~ link
Word & Thought Associations
here's mine:
Loneliness :: Empty
Traffic :: Cop
Chaos :: Fire drill
Burp :: Baby
500 :: Indy 500
Movie :: Karma
Coma :: Sleep
Bark :: Dog
Stare :: Down
Angelina :: Jolie
Tuesday, July 01, 2008
Therapy on the page
What do Latinos, poetry and therapists all have in common? They are all a part of Daniel Cubias' latest blog post on The Huffington Post. It's pretty funny.
It's said that one can observe Rumi poetry in many of Elham Moaidnia's paintings. Here is an article about her exhibition in Dubai as well as a look at the work of this Iranian born artist at her own web site.
"Poetry tries to bridge abyss lying between the name and the thing. That language is a problem is no news to poets." ~ Charles Semic
It's said that one can observe Rumi poetry in many of Elham Moaidnia's paintings. Here is an article about her exhibition in Dubai as well as a look at the work of this Iranian born artist at her own web site.
"Poetry tries to bridge abyss lying between the name and the thing. That language is a problem is no news to poets." ~ Charles Semic
Monday, June 30, 2008
I'll tell you a secret.... I have a hang-up about poetry.
I sit here with my mind somewhere else... I'm thinking, can I be certain the lawn doesn't shrill in anguish at the sound of a mower? Okay, seriously I'm really thinking about the existence of words without sound. They don't require sound do they? Of course not... I'm plotting them out here on the computer and there is no sound, save for the clicking of the keys and you can't distinguish the sound I made for and from you.
When I was in high school our Latin teacher referred to Latin as a written language as opposed to a spoken language. I'm imagining if today English were strictly a written language how different communication would be. Certainly less spontaneous.
Poetry readings would take on a whole new meaning. Imagine a poet walking into a room of eager poetry consumers. Theater style seating. The poet passes out sheets of paper to the some 25 to 30 people who showed up. Then he stands back and watches the non-verbal reactions to what is read, and imagines what parts the people are reacting to and just what those reactions mean.
I don't suppose any of you are buying this scene. You probably are even questioning that we got more than two dozen people to any kind of poetry reading. Why am I even talking about this idea? Well, as much as I do enjoy doing readings (where I read aloud my own poetry) I am convinced that spoken word poetry still lacks something critical to language. That is to see the poem on a printed page. To see the words - the spaces between. The black and the white. The image and the lack of image and the whole visual that creates both. I guess simply put, I want all poetry to be viewed as concrete poetry. It's just a little hang-up I have.
When I was in high school our Latin teacher referred to Latin as a written language as opposed to a spoken language. I'm imagining if today English were strictly a written language how different communication would be. Certainly less spontaneous.
Poetry readings would take on a whole new meaning. Imagine a poet walking into a room of eager poetry consumers. Theater style seating. The poet passes out sheets of paper to the some 25 to 30 people who showed up. Then he stands back and watches the non-verbal reactions to what is read, and imagines what parts the people are reacting to and just what those reactions mean.
I don't suppose any of you are buying this scene. You probably are even questioning that we got more than two dozen people to any kind of poetry reading. Why am I even talking about this idea? Well, as much as I do enjoy doing readings (where I read aloud my own poetry) I am convinced that spoken word poetry still lacks something critical to language. That is to see the poem on a printed page. To see the words - the spaces between. The black and the white. The image and the lack of image and the whole visual that creates both. I guess simply put, I want all poetry to be viewed as concrete poetry. It's just a little hang-up I have.
Saturday, June 28, 2008
Do you know how depressing it is...
to get to Starbucks with your journal and discover you got off without your favorite fountain pen that you always write with?
Friday, June 27, 2008
Poetry News in the Blogosphere
Shirley Dent expounds upon the place of poetry in China and contemplates a time down the road, when we're not just sitting up and "taking notice of China's economic dynamism but of its poetic and political vibrancy as well."
Janyne Pupek has two poems up at The Dirty Napkin. Yeah Jayne!
Two Seattlelites doing the unthinkable - Making a living from poetry.
Cindy has Thirteen Marriage Tips for Bibliophiles.
Joannie - Pull over and write a poem or What driving while talking on a cell phone has to do with poetry?
Janyne Pupek has two poems up at The Dirty Napkin. Yeah Jayne!
Two Seattlelites doing the unthinkable - Making a living from poetry.
Cindy has Thirteen Marriage Tips for Bibliophiles.
Joannie - Pull over and write a poem or What driving while talking on a cell phone has to do with poetry?
Blogging - is it worth it? Part two
Following my earlier post on Tuesday I've had additional time to reflect on this subject. In fact I was talking with a peer at a meeting on Wednesday night about this. This person, who is not a blogger, but reads my blog in her e-mail by way of a feed she subscribes to, acknowledged she agrees about the exposure to others people's work. It dawned on me during this conversation that there are many poets who develop close peer relationships for example, with people who go through an MFA program together, and find themselves connected to one another and their work for years after completing the program. For these people, the Internet becomes an extension of the peer contact from the MFA program itself. In spite of distance, it remains relatively easy to follow the work of others through this medium. Their network may start there and expand well beyond.
I've not had the benefit of the MFA experience. Certainly none of it, but for the sake of this conversation, the peer network that can develop as a result of it. I have a limited number of individuals, with varying degrees of writing experience, with whom I have face-to-face contact with locally. Clearly these people are important. Still, if left to these contacts alone, there is much I would miss in terms of my exposure to the poetry of today.
There are far more people with whom I've had contact than listed in the previous post. But six of those seven people have published work which I have copies of. The other one has a book (nudging myself) I still need need to acquire. Now in each of these cases it is not likely I would have just walked into store and bought their book. Not without other contact. Not without coming to know something about their work, their style, their voice.
Through blogging, I've met other poets from beyond the local community. I've learned more about some through interviews. Expanded my knowledge of contemporary and experimental work. Benefited from a variety of poetic voices. Increased my knowledge of available poetry markets, received exposure and yes, feedback on some of my own work. And last but not least, shared in triumphs and rejections. Writing, especially when it comes to poetry is very solitary. It often relies upon withdrawing deep into one's own self which can seem lonely and even dark at times. It's ameliorating when you are exposed to and can learn from other poets who know well that place and the process.
I've not had the benefit of the MFA experience. Certainly none of it, but for the sake of this conversation, the peer network that can develop as a result of it. I have a limited number of individuals, with varying degrees of writing experience, with whom I have face-to-face contact with locally. Clearly these people are important. Still, if left to these contacts alone, there is much I would miss in terms of my exposure to the poetry of today.
There are far more people with whom I've had contact than listed in the previous post. But six of those seven people have published work which I have copies of. The other one has a book (nudging myself) I still need need to acquire. Now in each of these cases it is not likely I would have just walked into store and bought their book. Not without other contact. Not without coming to know something about their work, their style, their voice.
Through blogging, I've met other poets from beyond the local community. I've learned more about some through interviews. Expanded my knowledge of contemporary and experimental work. Benefited from a variety of poetic voices. Increased my knowledge of available poetry markets, received exposure and yes, feedback on some of my own work. And last but not least, shared in triumphs and rejections. Writing, especially when it comes to poetry is very solitary. It often relies upon withdrawing deep into one's own self which can seem lonely and even dark at times. It's ameliorating when you are exposed to and can learn from other poets who know well that place and the process.
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