Saturday, November 22, 2014
Poetic License
The Bearer of this Poetic License is
hereby authorized to split infinitives, dangle participles and misplace
modifiers for, but not limited to, literary effect without judgment, penalty,
or impediment.
Tuesday, November 18, 2014
Confession Tuesday - Catching Up Edition
Dear Reader: It's been a month and 4 days since my last confession.
I confess I am a grandfather. To the right you will see Harper. Harper is a little over a month old. It was during my last confession on the October 14 that we started our watch for Harper but she would not arrive until the next day. Related to Harper I confess the following:
- I confess I am grateful that mother and granddaughter are doing well.
- I confess I am releaved that Harper has hair - and lots of it.
- I confess that I have read poems to Harper but don't tell her mother.
- I confess she resembles both her mother and father.
- I confess I can't decide what is cutest - eyes, mouth, nose or fingers.
- I confess being a grandfather has not made me feel older (I already felt ancient)
Along with the arrival of Harper October brought the final month of baseball for the year. I have the unique position of living in Kansas City but being a San Francisco Giants fan for many years. There are some people who actually thought my geographical location would win out and I'd root for the Royals. Some in my family hinted that I might consider this though I'm unsure if any truly expected me to be for them. One daughter said one night she was torn, could we be for both. My reply was a swift no! Not since the Civil War has a family been so divided.
At work on days everyone was going Blue I went Orange. There were people at work that definitely believe I had some sort of obligation to change my allegiance though anyone who knew me knew I was a very avid Giants fan.
I confess that there were strengths that the Royals possessed that I felt could make for a tough series. I felt the Giants had the advantage in pitching. I felt the Royals were equal or better in defense. The Royals definitely had speed on bases and it was there I was most worried. I felt offensively they were a mixture - Royals more power - Giants greater patience at the plate and likely better batting average.
That it would go 7 games did not surprise me. I thought it might be decided in 6 but never saw it as a 4 game sweep by either team.
I confess that the entire post season drama was quite a ride. Yes, I allowed it to cut into my writing time. Am I proud of that, no. Would I do it again? under the circumstances, most definitely.
My normal winter wear is a 2010 Giants World Series jacket. I've actually worn Giants coats in winter for over two decades so this is nothing new. But in all those years I was just a Kansas City guy wearing another team jacket that local people associated with nothing in particular. Occasionally people would ask me if I was from the bay area. I'd tell them no, but I love it out there and if I could afford it, I'd make my home there.
Last night I stopped at the grocery store one the way home from work to do some shopping. As I was getting in line a gentleman and his wife came up to me. The man stuck the palm out in front of me and said, "I want to shake your hand, you have to be one tough dude the wear that coat in this town. That takes a lot of courage." I shook his hand and smiled - never thought of it as courage, just pride.
Amen.
Saturday, November 08, 2014
Secrets of Creativity
"That's the great secret of creativity. You treat ideas like cats:
you make them follow you.” - Ray Bradbury, Zen in the Art of Writing
Tuesday, October 14, 2014
Confession Tuesday - Autograph Edition
Dear Reader:
As I hit my two week streak of making it to the Tuesday Confessional I amaze myself. I've been so hit and miss (mostly miss) lately that this feels like a major life accomplishment. I confess that I'm rather happy with myself for showing up to do this. Mostly because I realize that in anything we do in life, showing up is a big part of making things happen.
After work tonight I caught the Giants - Cardinals NLCS game three and was delighted by San Francisco's win. There was a very cliche MLB ad campaign a few seasons back that said, "We Live For This." When my team is in post season play, that is exactly how I feel. Baseball is like poetry to me. It has the raw emotion that can sometimes change with a single pitch. It's methodical to some degree and that provides the lyrical quality. There are few things athletically that have the grace of a well turned 6-4-3 double play. But this time of year is very bittersweet because no matter how your team fairs, it will all stop one night with one final play and the field like all the others will go dark and quiet and ultimately be blanketed by snow. And as a fan, you will be faced with no more day-to-day grind. Winter will pass agonizingly slow until finally spring comes with new hope and another season of what we live for.
Tonight, as I write this our family is also awaiting word on the birth of our first grandchild. My daughter is at the hospital and we have been standing by our cell phones. I confess that the close proximity to our cell phones is not really new, but the anticipation with each notice that goes off is a bit different then the usual, more casual approach. After all, I confess that I will get scolded for missing a call because I've left my phone on vibe.
As I mentioned last confession I have once again turned to another poet to coach me on some work this fall. I was anxious to start again until it came Sunday to sending material off. Then I suddenly felt timid. Awkwardly so; like a kid who steps up in line with a baseball to have his favorite player sign it... he hands it to the player and then just goes blank. Speechless. Duh... what am I doing?
Being fortunate enough to be working with one of my very favorite poets is awesome, but it also makes the analogy of meeting your favorite player a pretty good metaphor. I confess that response to the drafts that I provided were well received. One in particular and that makes it less awkward moving forward.
No new news yet on the arrival and it's getting late. Could be a long night.
~0~
Tuesday, October 07, 2014
Confession Tuesday - Deep Breath Edition
I've missed numerous Tuesday Confessions. I confess that it has been long enough that I don't know the number of weeks and rather than scroll through my blog to count them, well I just hang my head in shame.
Many things went bad with my day yesterday and they all seemed to spiral from a singular event at work that was the result of someone's miscalculations and as a result it meant I had to deal with a crisis that sent me home stressed out. Then I got up this morning and added to my anxiety by thinking I had lost or misplaced my wallet. What actually happened to it was kind of amusing as i think back on it but it too stressed me out and delayed me this morning.
You know how misery loves company.... well I drug my wife to the office today for her annual flue shot only I screwed up and was a day early. She drove home, keeping the car and then had to pick me up after work. There is still the matter of her needing to drive in with me tomorrow so I will inconvenience her yet again.
As I sit here writing this tonight I fully recognize that I need to take a few deep breaths, Get some oxygen to my brain.
~0~
~0~
On a positive note I confess I had a rejection letter overnight, Positive you say? Yes, it was positive because the letter specifically referenced things the editor really liked in a poem. That tells me it was a thoughtful read
~0~
May the baseball God look favorably on them tonight. ;-)
Sunday, October 05, 2014
Drench me in Loneliness
Moon! Moon! I am prone before you. Pity me, and drench me in loneliness. ~ Amy Lowell
Thursday, September 18, 2014
My Writing Process Blog Tour
Southern Oregonian writer Amy Miller recently asked me to join the My Writing Process Blog Tour. Amy is the author of several Poetry books including Botanica, Tea Before Questions, The Mechanics of Rescue and Beautiful/Brutal: Poems About Cats. I though it might be kind of fun until I really started thinking about the questions. Yes, each participant addresses the same four questions about their writing. Amy Blogs as Writer's Island and her Writing Process Tour post is linked here. I really did have to do some deep thinking about these.
QUESTION #1: What are you working on?
Honestly finding my way out of the forest.
I'm in the very early stages of working on a poetry manuscript themed on a ballpark that is slated for demolition. A ballpark much maligned, but one that I loved and the juxtaposition between the fans hope with its conception and what it came to symbolize. I irony of affection shown for it in it's final home-stand.
I'm toying with some other offshoots of several of the stronger poems I've written in the past - hoping to gain traction with other themed collections as well. I'm bridging my time reworking older drafts and keeping my mind open to new poems..
I plan to work with another poet this fall on some poems possibly for the ballpark project. Hoping to find my way out of that forest I mentioned. I've found that it is helpful for me to get some coaching from someone whose poetic voice resonates well with me. It's a little like a therapist seeing another therapist. We all need a head-check at times if nothing else, just to know things are working.
QUESTION #2: How does your voice differ with others of it's genre?
Enough, I hope. This is always a fear of mine. Make it different, change things up Take the refrigerator and lay it on the side... think about it differently and hope your readers will see something different.
I believe poets especially are expected to think outside the box. So that's whee it has to start. Finding some originality in your craft. Part of it is your voice. Getting comfortable in your own skin. Feeling it is safe to take ownership of your voice. A distinctive voice, playing with the tone, the language... putting the "ive" on create.
I tend to bring a big tool box to my craft. I like to use sarcasm, humor, seriousness. Go dark or light sometimes within the same poem. I love art that is has dissonance. I especially like the abstract but you are more likely to see it sprinkled in my work then overtaking it.
QUESTION #3: Why do I write what I do?
It happens. Just happens. I've found it works far better to let the ideas come to you than to pick specific things to pursue. When I've tried to guide the conversation with the poem - things seem forced. I am rarely happy with the outcome. Once I've started on something that has come to me
I try above all else to let the poem say what it wants. I can fine tune in rewrite but it's best if it follows the path of least resistance. The process should be like water and flow downhill to the conclusion.
QUESTION #4 How does your writing process work?
Sometimes I find it helpful to write with background noise. It can be music. I have a couple of play lists I will write to Spotify. Sometime I use a program that simulate noise in a coffee shop or just use white noise to drown out distractions and things that would interrupt me.
The biggest help has been my writing studio. I can better control the the climate, the noise, interruptions, lighting, etc. I used to tell myself I could write anywhere, and I could, but the quality of writing sitting in the room with television on really did suffer.
Sometimes I will start on paper, usually in my journal then take it to my laptop to refine. I prefer writing with a fountain pen. Seriously, I feel more creative with one in my hand. I mostly use one on my 9-5 job as well.
Poems on rare occasion will come together quickly - but most of the time the process is more like a fine wine aging and the poems will not be seen anytime soon in the real world.
NEXT:
I was to tag a couple other writes that I wanted to join us on the blog tour. Unfortunately so many on my list it seems have already participated or did not have blogs (seriously?)
Fortunately one of the first that I thought of was Jessica Smith. Of those I tagged, I heard back from Jessica and she was delighted to participate. She will join us next Thursday.
In the meantime, here is Jessica's Bio:
Jessica Blogs at Looktouch
QUESTION #1: What are you working on?
Honestly finding my way out of the forest.
I'm in the very early stages of working on a poetry manuscript themed on a ballpark that is slated for demolition. A ballpark much maligned, but one that I loved and the juxtaposition between the fans hope with its conception and what it came to symbolize. I irony of affection shown for it in it's final home-stand.
I'm toying with some other offshoots of several of the stronger poems I've written in the past - hoping to gain traction with other themed collections as well. I'm bridging my time reworking older drafts and keeping my mind open to new poems..
I plan to work with another poet this fall on some poems possibly for the ballpark project. Hoping to find my way out of that forest I mentioned. I've found that it is helpful for me to get some coaching from someone whose poetic voice resonates well with me. It's a little like a therapist seeing another therapist. We all need a head-check at times if nothing else, just to know things are working.
QUESTION #2: How does your voice differ with others of it's genre?
Enough, I hope. This is always a fear of mine. Make it different, change things up Take the refrigerator and lay it on the side... think about it differently and hope your readers will see something different.
I believe poets especially are expected to think outside the box. So that's whee it has to start. Finding some originality in your craft. Part of it is your voice. Getting comfortable in your own skin. Feeling it is safe to take ownership of your voice. A distinctive voice, playing with the tone, the language... putting the "ive" on create.
I tend to bring a big tool box to my craft. I like to use sarcasm, humor, seriousness. Go dark or light sometimes within the same poem. I love art that is has dissonance. I especially like the abstract but you are more likely to see it sprinkled in my work then overtaking it.
QUESTION #3: Why do I write what I do?
It happens. Just happens. I've found it works far better to let the ideas come to you than to pick specific things to pursue. When I've tried to guide the conversation with the poem - things seem forced. I am rarely happy with the outcome. Once I've started on something that has come to me
I try above all else to let the poem say what it wants. I can fine tune in rewrite but it's best if it follows the path of least resistance. The process should be like water and flow downhill to the conclusion.
QUESTION #4 How does your writing process work?
Sometimes I find it helpful to write with background noise. It can be music. I have a couple of play lists I will write to Spotify. Sometime I use a program that simulate noise in a coffee shop or just use white noise to drown out distractions and things that would interrupt me.
The biggest help has been my writing studio. I can better control the the climate, the noise, interruptions, lighting, etc. I used to tell myself I could write anywhere, and I could, but the quality of writing sitting in the room with television on really did suffer.
Sometimes I will start on paper, usually in my journal then take it to my laptop to refine. I prefer writing with a fountain pen. Seriously, I feel more creative with one in my hand. I mostly use one on my 9-5 job as well.
Poems on rare occasion will come together quickly - but most of the time the process is more like a fine wine aging and the poems will not be seen anytime soon in the real world.
NEXT:
I was to tag a couple other writes that I wanted to join us on the blog tour. Unfortunately so many on my list it seems have already participated or did not have blogs (seriously?)
Fortunately one of the first that I thought of was Jessica Smith. Of those I tagged, I heard back from Jessica and she was delighted to participate. She will join us next Thursday.
In the meantime, here is Jessica's Bio:
Jessica Smith, Founding Editor of Foursquare and
name magazines, serves as the Librarian for Indian Springs School, where she
curates the Indian Springs School Visiting Writers Series. A native of
Birmingham, Alabama, she received her B.A. in English and Comparative Literature:
Language Theory, M.A. in Comparative Literature, and M.L.S. from SUNY Buffalo,
where she participated in the Poetics Program. She is the author of numerous
chapbooks including mnemotechnics (above/ground 2013) and two full-length books
of poetry, Organic Furniture Cellar (Outside Voices 2006) and Life-List (Chax
Press 2015).
Jessica Blogs at Looktouch
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