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Saturday, July 09, 2011

Alone

Against a wall wet with past
she leans- the musty memory
soaks her cloak    and lingers-
days to nights to days
the acherontics shuffles between
them and there is no deviation
nothing tangible to separate
one from the other -
darkness like the husk
of a walnut shell    encases her.
Who will crack the shell?
Can anyone?



2011 © Michael A. Wells

photo credit -  Amanda Slater


Magpie Tales 72 - Poem untitled

Wheat Field with Rising Sun, Vincent Van Gogh, 1889

Torrents of amber and goldenrod
highlights wave to the wind
under blistered sky

grasshoppers fleeing
ahead of us the field
ripe for a day of toil

tomorrow it will be
combines and us
against the fever



2011 © Michael A. Wells


Magpie Tales 72

Tuesday, July 05, 2011

Confession Tuesday - Strange Correlation Edition.

Tuesday again. It seems like only yesterday. So let's get going to the confessional.

Dear Reader:

It's been one week since my last confession and a weekend of minor explosions in the neighborhood followed by barking. Oh the joys of the 4th of July.

Today, when I returned home from work,  I found my copy of She Returns to the Floating World  by Jeannine Hall Gailey waiting for me in the mail. This was a treat because I had earlier received an e-mail rejection letter so I had a little good to compensate for the bad.

When I went to Duotrope (which I use as a submission tracker) and reported my latest rejection the control panel has a percentage figure of your acceptances in the last 12 months. Following my % number was the following... Congratulations! Your overall acceptance ratio is higher than the average for users who have submitted to the same markets. I confess this amazes me more then it encourages me. And then my mind began to correlate writing to baseball. In baseball a hitter who is batting .300 is someone who reaches base safely roughly three out of every ten times they come to the plate. Such a batting average is considered above average. A good player. Assuming he has other skills, defensive, power or speed, he may be better than good. But flip this around and think about it... that same player fails 7 out of every 10 times he comes to the plate. It almost seems absurd to think that someone who fails 7 out of 10 times is a success, but in baseball, it is just that! Writing it seems is quite the same. I confess it may be in part that chase... that battle with the odds that I actually like.

Well, it’s late and I want to read some tonight in my new book before I hit the sack.  Have a good week.

Monday, July 04, 2011

Reflection on the 4th of July

July 4th is an air born holiday. Fireworks like fireflies dot the night sky and the smell of sulfur permeates the air, strong enough at times to get choked up.

It's a day in which we will often go outside into that summer heat and start the grill and burn burgers and brats, etc. and  hep our plats and dig in. A day families gather and there are so many smells on this day.

Less tangible but more important are the freedoms that we have. Freedoms that have come and continue to be protected at a very high price.

The freedom to express ourselves creativity in all forms of art. The freedom of the press... perhaps the most critical cornerstone of the success of our democracy.

In many places around the world people are not free to practice journalism without fear for their families or themselves.  A free press is a paramount checks and balance to democracy. It's something to celebrate and not take for granted. 

Wednesday, June 29, 2011

Magpie Tales 71 - Poem: String Bikinis



String Bikinis



pantylines air brushed
into the night
blush Clorox bright


2011 © Michael A. Wells






Magpie Tales 71





Tuesday, June 28, 2011

Confesson Tuesday - Size Matters Edition

Dear Reader:

It's been one week, one more anniversary, a blissful piece of Italian Wedding Cake and finally watermelon since my last confession.

Growing up and visiting my grandparents often in the green hills of north central Missouri I tasted some of the best watermelon. I confess a weakness for watermelon that has not diminished as the years have passed. But, I'm telling you that last year something happened to all the watermelons that made it to our stores.  Evidently some disease stunted their growth. Further, their price was inverted to their size.
It's been the same this year.

We actually now have bought two that were on sale at HyVee and for their sale price and size I'd say the two were almost a good fit.  Now I confess these two melons were to die for.

So last night I'm back at HyVee but the price is back to $7 bucks for a melon that might be good for three servings. I kid you not!  I passed on them. Where are all the normal melons?

~0~

My Facebook Writer/Poet page is stalled three "Likes" from becoming an official page.  I confess that you can make this poet happy by going here and "Like" the page if you have not already.  If you already did....  Thank you - Thank you!

That's it for this week...thanks for stopping by - may all your watermelons be big, juicy, and withing your budget!

Sunday, June 26, 2011

The Whole Poem Experiance or the Poetics of Location

Some recent chatter about the "multi delivery system" of poetry has me thinking not only about the topic but broadening the spectrum even more. I mean I guess I never thought a lot about the idea of the poetic experience very much until the conversation.  I mean even before the advent of a multi delivery approach to poetry there were varying delivery systems.


Of course newer on the scene is the e-reader but we sometimes read individual poems in a journal and later find them in a published manuscript by the author. Or we may find them published in an anthology. How do I feel about the impact on the source of the poem I'm reading? 


Another question that could be asked is how much credibility, artistry, etc. can be transferred to a poem by where it is found. What can such transfer if any add or detract from the overall experience of the poem. 


Examples could be  Filter Literary Journal - see here and here.  Such craftsmanship and individual artistry are something a traditional publisher doesn't match.  Then of course there is the difference between a very well established Journal like Paris Review, Missouri Review, Rattle as opposed to say a new Journal or one one to three years old.  Who else in in that same Journal, can that make a difference? Reading a poem in Norton's Anthology surely must seem antiseptic compared a Journal or The New Yorker. Then there is a well strung together manuscript or one of those same poems in a book of the author's collected works 1972-1998 surely this experiance is different.


I'm guessing that in reading a poem as well as my observation of many thhings, I am enfluenced by the sideshows more then I think. With this in mind, the whole discussion that Nic Sebastian has sparked is not a new issue, just a different version of the one above. One that I've never really explored till now.