Sunday, December 06, 2009
Sunday slipping away
I watched an episode of Modern Family on ABC tonight and it cracked me up. I've never seen it before and it was pretty funny.
I've thought about some new years resolutions today. I'm not big on new years resolutions but I've got a couple of things on my mind that I'll blog about later in the week.
I did crank out another set of poetry submissions today... a task that is not on my list of fun things to do, but I've resolved this fall to get better about it. Going back to a time when I was persistent, the results were truly positive.
Sadly, I feel the weekend like sand in an hour glass down to a final trickle of granules.
Heard a good metaphor lately?
Saturday, December 05, 2009
Poetry book by ‘Bostonian’ Poe sets auction record - BostonHerald.com
"NEW YORK — A rare copy of Edgar Allan Poe’s first book has sold for $662,500, smashing the previous record price for American literature.
The copy of 'Tamerlane and Other Poems' had been estimated to sell Friday for between $500,000 and $700,000 at Christie’s auction house in New York City.
The previous record is believed to be $250,000 for a copy of the same book sold nearly two decades ago."
Friday, December 04, 2009
Your Brain on Poetry
Travis Nichols, the Editor at the Poetry Foundation has a really intriguing piece in the Huffington Post this week about poetry and the brain. Pictured on the left is Henry Molaison who affectionately was known to many involved in his life as just H.M.
Late last year Molaison passed away. Molaison’s claim to fame relates to his memory capacity, or lack thereof. I won’t go into the entire history, but he underwent brain surgery in the 1950’s and as a result had the inability to form new memories. During his post surgery years, he was studied profusely in search for clues to our memory process. Even in death, medical science has turned to his brain for more answers to the mystery of how and where memories are created as well as retrieved. Scientists hope to be able to map the memory process by observing slices of M.H.’s brain.
Nichols claims that what Dr. Jacopo Annese, who is doing the slicing is exploring the greatest poetic mystery of all time. Nichols talks about some poetry that is less about telling stories and more about using poetry that engages a readers brain while he/she is reading, that utilizes sound patterns or other techniques to create Cognitive Poetics.
Nichols uses the example of an poet not just saying, “When I made out with so-and-so, I did the happy dance!” Instead, that poet would use language that would allow a particularly attentive reader go beyond by just reading, but come to experience their mind doing the happy dance, thus creating a memory associated with it.
Nichols sees this kind of writing as experimental, which he notes is not unlike the path Dr. Annese is pursuing.
"an excellent piece of disappointment worthy of gathering dust on any coffee table"
Thursday, December 03, 2009
Another day – another rejection.
Amazingly this week seems to be moving along swiftly. I thought after the 4 day holiday this week would be a tough one.
Rejection letter today on four pieces I sent out little over two months ago. Serves as a reminder that I need to get a few more submissions out this week end.
I also remembered I need to take my floating holiday yet this month or lose it. I feel a full day of writing coming on.
I received another e-mail tonight from Poet Christine Klocek-Lim. Her new chapbook, How to photograph the heart is available here. I understand there are a limited number of autographed copies available from the publisher.
Oh… and this is different…. Publishing the Unpublishable
But did you know...
The Chilean poet Pablo Neruda is known for many things: he was a career diplomat, an avid Communist, and of course, the Nobel Prize-winning author of erotically charged love poems, memoirs and surrealist verse.
But a seashell collector? Full story: Neruda: poet, Communist... and seashell collector by Anita Brooks
Wednesday, December 02, 2009
The rise of poetry in advertising | Television & radio | The Guardian
The rise of poetry in advertising
More companies, including McDonald's, are being moved to verse to advertise their products. Is this a welcome development?
full story: The rise of poetry in advertising | Television & radio | The Guardian
Scanning the Net
I made a swing through the blog neighborhoods that I hang out in and these things caught my eye.
If you are a poet, you no doubt have friends that simply don’t understand the “poet” in you. I saw something that cracks me up -thanks to Jilly that came from the blog of Don Share is Senior Editor of Poetry magazine. HOW TO DEAL WITH POETS
Rachel Dacus has an interesting rant at ROCKET KIDS about paper & the digital times.
Christine Hamm has new material published in The Loch Raven Review and The Holly Rose Review,
It's Not What You Think...
Tuesday, December 01, 2009
The Hughes Legacy
Ted Hughes has been dead about eleven years now and legacy as a poet is again in public view as some have taken up the cause of him being honored by inclusion in Westminster Abbey's Poets' Corner - poetry's holiest of holies. Those enshrined there include Chaucer, William Shakespeare, TS Eliot, Alfred Lord Tennyson, Robert Browning, William Blake and Sir John Betjeman the last admitted in 1984.
Nobel Laureate Seamus Heaney is one of several who have called called for Ted Hughes to be honored in the Poets’ Corner. Others include Andrew Motion, who took over from Hughes as poet laureate, Lord Melvyn Bragg.
“In proclaiming and embodying in his work a holistic sense of life on earth, he became one of the vital presences in 20th Century poetry.” ~ Seamus Heaney
The final decision on admitting Hughes to this honor belongs to the Dean of Westminster, the Very Reverend Dr John Hall.
Outside of his homeland, Hughes is perhaps best known as the husband of Silvia Plath. The whole Plath / Hughes relationship would likely overshadow such talk in this country where the nearly myth like lore perhaps surpasses real critical view of his own poetry.
Monday, November 30, 2009
Bit by the Gratitude Bug
Yes, I know thanksgiving is over, but it was in the quiet of my office today during my lunch hour that the gratitude bug hit me.
As far as stress goes, this year has been on overload at times. Still, I cannot deny there are many things I have to be grateful for. A few of them that came to my mind today are the following.
I’m grateful for:
- My family. I’m blessed to have a wonderful wife and four grown children who are each in their own right precious to me.
- Jobs. In theses times even work is a blessing. I need to continue to keep this in focus. Especially when I’m feeling worn down on some of the crisis filled days.
- Our home- a place that provides comfort from the elements, a base for us to return to each evening.
- Our pets… yes, they drive me crazy at times, but they are God’s creatures too and they are unconditional in their love.
- My ability to write. I get such good support from my family, even if they feel challenged at time in what I write.
- I was grateful for being able to spend 6 weeks this fall being mentored by another poet.
- The opportunity for both Cathy and I being able to visit our two daughters in Phoenix this year.
- Turkey wings
- Diet Coke – which I’ve been missing.
- White wine.
- A car that runs right again.
Sunday, November 29, 2009
Sorry for straying from poetry and art topics.
An Associated Press wire story indicates that the couple who crashed President Barack Obama's first state dinner are trying to peddle their story for hard cash. Call me mean if you wish, but the only thing I’m wanting to see this couple get is some hard time.
I’m tired of people scamming in order to get paid to do reality shows. As far as I’m concerned Michaele and Tareq Salahi have had their 15 minutes of fame. I think fifteen months of jail should be about right.
Representatives for the couple are looking for a mid-six figure price tag for an interview. Any network or show that rewards them by shelling out money has lost my respect. If they reward this couple for what they did they only encourage this kind of behavior. I’m more than willing to wait to hear what story they tell a judge.
I return you now to regularly scheduled blogging.
Saturday, November 28, 2009
Curtains
[The following poem was a draft I wrote based upon this picture I say at the Kemper Museum of Art here in Kansas City.]
Quiet are the surroundings
lost in the enigmatic confines.
The boy is not there
in its protective arms
his back to the door
his knees crossed yoga style.
A four legged table
nearby, stoic its top veiled;
a byzantine respect to the lad,
knowing his child's mind
is in communion
with something bigger
beyond the sheer curtains
of a world stage.
No adult is near.
No adult could know.
Someday he too will
enter such a room
and be oblivious.
Friday, November 27, 2009
Art Date
• Isabella's two chairs
• Untitled #26 from The Age of Men
• Wave Rock
I'm working on poems that are based on the first two above. More on these in a later post.
The second exhibit was at Kemper at the Crossroads. It's Keltie Farris's Man Eaters.
She uses formalist strategies and materials to create enigmatic and visually seductive abstractions.
Both of these exhibits had my mind stretching like taffy. Curiosity and bubbling over like a pot of water. A little steam just to throw in a little mystic smoke.
Wednesday, November 25, 2009
Police Photos & Poetry Calendar
"Stop,don't do it!"
Tuesday, November 24, 2009
Poetry Series Spurs Debate on the Use of an Old Slur Against Latinos
By DAVID GONZALEZ
The word sounds retro, but its corrosive power lingers. Once a cruelly common taunt that mocked the way Spanish speakers pronounced “speak,” it set off fights, shattered friendships and trampled feelings.
Now that word forms the title of a poetry series — “Spic Up/Speak Out” — at, of all places, El Museo del Barrio in East Harlem, on Saturday.
Organizers say that the provocative title is intended as a postmodern take, inviting dialogue and debate over issues of identity. Some of the participating poets have embraced the title as a symbolic inversion of the word, that neutralizes its sting. But others are not so sure. Read story here.
Monday, November 23, 2009
Talk On Wallace Stevens' Poetry At Tunxis Campus Farmington, CT
This looks really interesting, if anyone is close to Farmington, CT on December 3rd it might be worth taking in.
If any readers make it to this, I’d love to hear from them about it.
Submitted by Melissa Lamar, Tunxis Community College, on 2009-11-23.
The public is invited to attend "Philosophy of the Supreme Fiction: In and Beyond the Metaphysics of Wallace Stevens," a free talk by James Finnegan at Tunxis Community College on Dec. 3, from 1-2:30 p.m., in Founders Hall. Lunch will be provided.
Finnegan will explore the common ground of poetry and philosophy, with Wallace Stevens as a guide and muse. Hartford's most noted poet and once one of its more prominent insurance executives, Wallace Stevens has often been studied for the philosophical character of his work. Considered a true American heir to the English Romantic poets, he was also influenced by philosophers as diverse as Nietzsche and such pillars of American pragmatism as Ralph Waldo Emerson and George Santayana. With verse so invested in the problems of epistemology and metaphysics, Stevens' poetry has been freshly examined in the light of current philosophical trends with each new decade. However, the unique way he explores the interaction between imagination and reality resists dissection by logicians and diehard rationalists.
Finnegan is a poet, thinker, and founder of The Friends and Enemies of Wallace Stevens, a Hartford area arts organization that supports the cultural legacy of Wallace Stevens and promotes poetry in the community. With Dennis Barone, he edited "Visiting Wallace: Poems Inspired by the Life and Work of Wallace Stevens" (University of Iowa Press, 2009). Finnegan's poems have appeared in Ploughshares, Poetry East, The Southern Review, and The Virginia Quarterly Review among others. He is a senior vice president at Lee & Mason Financial Services, Inc.
The lecture is one of a two-part "Proof & Possibility" series of talks on philosophy and the history of ideas. For more information, call 860-255-3623 or 860-255-3500, or e-mail jabbot@txcc.commnet.edu. Visit Tunxis at tunxis.commnet.edu. Tunxis is located at the junction of Rtes. 6 and 177 in Farmington.Technorati Tags: Tunxis Community College,Wallace Stevens quote
Sunday, November 22, 2009
My recommended poet for the week
I wanted to recommend a poet to read this week that some of you may not be familiar with. I always enjoy it when someone else pointed me in the direction of a poet that is new to me. If their writing hits the spot with me it’s like finding a four leaf clover or a great Chardonnay that is new to me.
I’ve read Cecilia Woloch and I love the genuine nature of her writing. You get the impression that she confronts herself when she writes and I feel this allows her the write from a read position of strength. Her book Late is among my favorite of contemporary poets and while I’ve not yet purchased a copy of her newest book Carpathia, there are two poems in particular that I’ve read that confirm for me this book too is going the be a keeper.
Fireflies which can be found here is a recitation of vices that anyone could get snared by and say, “that’s me!” I love the admissions of among other things,
“driving too fast and not being Buddhist
enough to let insects live in my house”
In the title poem Carpathia, which can be found here, Cecilia has a tremendous knack for interweaving history with the contemporary. Her poetic voice in this poem spans a wide range. She’s like singer hitting notes octaves apart!
And my voice changed
I’ve been looking forward to the Elton John-Billy Joel concert at the Sprint Center in Kansas City on December 1st but learned it’s been postponed till February. [insert sigh here] On a positive note, my tickets for the Kansas City Symphony’s production of Handel's Messiah with 250 voice choral accompaniment arrived in the mail yesterday! To this day I get chills down my neck when I hear the Hallelujah Chorus. Going back to grade school, we would sing this in Choir. I recall the stories – and there are many, of King George standing at the beginning of this chorus, thereby causing everyone else to stand, and how this tradition has lived for the hundreds of years since.
The funny thing about my memory of this was that my voice was high then and I was placed in the choir section with the older girls [mostly 7th and 8th graders] singing soprano. They were forever teasing me and making me blush. I became like some kind of mascot to them. The choir director [I bet most grade schools have had this position cut from their budgets long ago] preferred the term descants to soprano, or at least used it as often if not more. As a mousy little kid who hears thing but didn't always get them, I for years though she had called us “desk hands” and could never find anyone who knew what the hell I was talking about. It’s funny how such things come about and decades later you realize why no one knew what you were talking about. It’s like a light comes on and “well duh” it wasn’t desk hand! Oh, and my voice changed!
photo credit: Michael A. Wells
Saturday, November 21, 2009
Journal bits
Haven’t don this for a while. From the pages of my journal…
- Noted quote - “Some ghosts are women, neither abstract nor pale, their breasts are as limp as killed fish.” ~ Annie Sexton
- sometimes we are as much alike as we are different… separated by a difference / of views smacked down on the table / one hand a royal-flush / the other unworthy of mention here.
- One woman nurses the masses / and breaks bread to disperse. / Another swears by formula, / their are no expiration dates / on breasts but we know them / to have an end life.
- Toy soldiers are always frozen / in some conscripted position.
- Chunks of sky fall/ beneath the urban path / of the Action News helicopter / but go unnoticed below.
Thursday, November 19, 2009
I like it when good things happen to poets who deserve it!
Congratulations Ivy Alvarez on your Pushcart Nomination! Way to go!
Tuesday, November 17, 2009
The Final Poem - by Andree Chedid
Flarf Collective goes public
Just last week, the Flarf Collective made its long-exclusive listserv public, welcoming poets who use material from people's Facebook status, search histories and chat room discourse, techniques that have also become known as flarf. [Story here]
Sunday, November 15, 2009
Retreat of sorts
Dog sitting for my son this weekend. It’s become a mini writing retreat of sorts. I’ve stayed off TV – so I’ve not had that distraction. Also worked on some “office work” and in-between took our sick car to the shop for which the issue remains unresolved.
In terms of writing, I’ve done some on my laptop and some in my journal. It helped to brake up things to give my eyes a change of focus. By late last night my eyes were pretty fuzzy and my head spinning. I did ultimately unwind listening to some music from Yusef Islam a.k.a. Cat Stevens. Some of his music is especially comforting like the denim jeans he sings of in Oh Very Young.
One of the neat things about writing this weekend is that I started with an epigraph from Anne Sexton and was able to write for a while and hit a wall. I stopped for a while and read some of her work just to get my mind to move beyond where I was. Later I was able to go back and successfully write more. Not from the original draft but with a new slant from the epigraph. Again I hit a wall, but I have parts of the two different drafts that have portions that show promise and will at some point I am confident prove useful. Then later this morning – another whole draft – this one the process has reached conclusion. It’s very workable and I already know some changes I will make; tighten it up and work on line breaks and toy with the stanzas trying to get the best flow from it and improve it lyrically. This one has a broadly political / philosophical tone and these are so hard to do without preaching. This will not be preachy.
That is my roundup for the weekend. I’m going to stop now and write a bit longer and head to bed. Morning comes soon.
Saturday, November 14, 2009
A Little Saturday Mischief
A Few Poetry Workshops You May Have Missed
- Feline Elegies - or nine chances to get it right.
- Potato Poetry - Mashed, fried, baked and other poetic devices.
- Would you, could you with Hamlet? Exploring similarities of Seuss and Shakespeare.
Wednesday, November 11, 2009
Wright Markets Poetry For the Consumer Mind
Wright Markets Poetry For the Consumer Mind
Award-winning poet CD Wright visits Columbia to deliver a lecture on the place of poetry in the public discourse.
Published Tuesday 10 November 2009 07:13pm EST.
How does poetry keep on keeping on?
This is what award-winning poet CD Wright will discuss for the Creative Writing Lecture Series at the School of the Arts on Thursday. Her lecture, “Concerning Why Poetry Offers a Better Deal than the World’s Biggest Retailer,” explores the position of poetry within the public discourse, as an artistic force in the commercial and social environment in which we now live.
Wright Markets Poetry For the Consumer Mind
What Does it Say About FOX News when Comedy Central is More A More Accurate Source for News?
| The Daily Show With Jon Stewart | Mon - Thurs 11p / 10c | |||
| Sean Hannity Uses Glenn Beck's Protest Footage | ||||
| www.thedailyshow.com | ||||
| ||||
Sean Hannity and Rep. Michele Bachmann(R-MN) two peas in a pod!
Tuesday, November 10, 2009
Hold on I’m Not Unnerved by Women’s Poetry
I occasionally read the Books Blog at guardian.co.uk and today Jo Shapcott caught my attention with the title Do women write ‘female’ poetry?
I suppose my interest was principally raised because I’ve given a fair amount of consideration to the realization that my list of poetry reading as well as my favorite poets to read is weighted significantly in favor of female poets. I’ve not quite figured out for sure why though the exploration of this will likely make for a later post.
I don’t think Sharpcott really ever quite adequately defines what makes female poetry. I think I expected more of the blog post but it did come away with a couple of interesting thoughts. Sharpcott comes to this conversation by way of a panel discussion at the Aldeburgh poetry festival. I was somewhat taken back by the fact that she reported that the women on the panel decided it was important not to let gender dominate their writing ( at least initially ) in order that the language can lead it in unanticipated directions, BUT it was pretty clear that such thoughts are not expected of men, their poetry is set as a kind of default mode. I have trouble seeing this “default mode” she speaks of.
The second thing that bugged me about this piece was the the statement that women are happy to devour anything that is good (I hate the subjectivism of good here) male readers are sometimes nervous of poetry books by women. I suppose I was put here to be the counterbalance among men and I tend not be be unnerved by poetry written by woman.
Monday, November 09, 2009
Mary Biddinger has Done It Again or Defibrillating Your Poem While You Can
First it was How to kill a poem (before it even starts) and now she gives us How to defibrillate a poem (before it's too late). Biddinger is cracking me up. But seriously I’m glad to know that "Just Me Being a Shithead” constitutes a poetic device.
Sunday, November 08, 2009
Journal bits….
A few lines from recent journal entries:
- the legacy that lives / in us all is the blue veins of fear / that rise up from the soles of our feet.
- the blue taste of fear- this they will remember / because they know how it feels / to the touch, they know / how it tastes and they know / how it smells.
- Reading Anne Sexton today- her poems “In the Beach House” and “Song for a Lady" I like the lyrical quality of both of these, especially the first one.
Are we listening?
My wife was visiting my daughters in Arizona this past week and I got this test from her and as I read it come across my phone I was nodding my head… “yes, yes!” I acknowledged her message and she said what she sent me she was a quote on a poster at ASU. She said she knew I would appreciate it. She knows me well.
What she sent me was a quote from Alberto Alvaro Rios – poet and professor of English at ASU [pictured here left] and it’s a poignant expressing of the task of writing. What she texted me follows:
“The public job of a writer is to write. But the private and secret job of the writer is to listen. Writing itself is finally clerical but listening is a life’s work. By listening we must include the sweetwork of the eye the skin the tongue the nose. This then is the true language of writers. The language of listening.” ~Alberto Alvaro Rios.
A life’s work… This is so very much related to what my conception of being a poet is about. Listening, observing, seeing things that you might otherwise miss. Seeing things in a variety of perspectives. Searching the natural world, your own soul and the history of the human experience. Putting this all together and recording it. This is to me what being a poet is all about. Listening and letting what you hear inform what you write.
We all have heard the mantra, Read, write, re-write.. I believe listen needs to be a part of that cycle of process.
Sparks!
I shot this picture recently with my trusty phone camera. Hence we are not talking the highest quality of photograph. Still, I like it because I picture in it the jumbled wires that crisscross the mind. Receptors I suppose. I envision them as quiet here… I suppose because if they were busy at work thinking, I would suppose that they would have little sparking neurons racing around the receptors.
Why am I writing about this? Good question. I don’t really have an answer. Sometimes I just like to look at something and turn it into something else. Looking at things differently is a great way to enrich one’s creative process. Hopefully my receptors are firing on all cylinders and racing around sparking new ideas, pulling from other data in my mind and creating new data. One can hope.
Friday, November 06, 2009
Low Battery
I’ve had creative bursts of ideas, just not the energy to adequately deal with them. Nor have I the energy to keep up with my reading, the energy to write those few extra lines or a few extra minutes to get every out of my head and onto the page. I’m well aware of the dangers fleeting thoughts pose. The ones you never recover. That is usually one of the first casualties of this kind of energy drain.
I promise myself to do better tonight.
Thursday, November 05, 2009
What the poem wants...
kcur: : Poet Phil Miller Delves into Relationships in New Collection (2009-11-04)
kcur: : Poet Phil Miller Delves into Relationships in New Collection (2009-11-04)
In the tumbleweeds of my mind
In the meantime - Mary Biddinger got my attention and brought a smile to my face with this... How to kill a poem (before it even starts). Really liked: "Turn on several fans so that tumbleweeds of pet hair cartwheel across the floor." How did she even know?
Sunday, November 01, 2009
My Internal Clock is BoNkERs!
This morning I’m really messed up. I already am messed up this time of year but the clock change last night simply has jerked me around more. As a result I’m this swirl wind rolling about and not sure where I’ll be when I land or more importantly what time it will be.
Saturday, October 31, 2009
Full day & Play Ball!
Settling to watch the World Series game tonight. Looking for a good game tonight with the series tied 1 game apiece and the series moves to Philadelphia. Pulling for the Phillies!
Today was busy. Brought some work home from the office for the weekend. Did some of it today and saved some for tomorrow.
Send of poetry submissions. Printed out hard copies of some of my work to sift through looking for manuscript material that I already have to assess what I still need to work on. Lots of stuff I intentionally didn’t print out. I messed around on some rewrites as well.
Made the dogs happy – taking them for a walk.
Chatted with one of my daughters for a good half-hour today. She’s away at school and I’m missing her, so it was a real treat.
Made dinner tonight for my wife who spent day at the office.
If the game isn’t too late ending, I’ll probably read a bit before turning in. Not counting on a quick game though.
Tuesday, October 27, 2009
Happy Birthday Sylvia
If you are headed soon to a Halloween party and want a costume idea with a literary theme go here. What a fun bonus for those in Emily Dickinson costumes…. Hand out plastic flies while reciting the immortal line: "I heard a Fly buzz—when I died..."
Yesterday, Poet Kelli Russell Agodon opened up and shared a lot of information about the making of her latest book that will be out next fall. Her blog post, The History of a Manuscript, details the path to publication of her manuscript titled Letters from the Emily Dickinson Room. If you are thinking in terms of working towards publication of a manuscript, read this post. This recommendation is not meant to discourage anyone, but introduce a bit of reality to the process. As I’ve said here before, Kelli’s first book, Small Knots is among my favorite poetry books. Her work inspires me and her talents establish her as a poet whose advise I take seriously.
Journal Bits
• the paper absorbed everything and said nothing
• the night is an unsettled dog
• Mary Oliver quote - “Do you think the wren ever dreams of a better house?"
• the exit signs determined in their request
• it's a casual uncaring / not rooted in any harsh disinterest / more maladaptive to the day at hand
• losing myself in the moments of a hair cut / or the making of a spare key / that light headed tingling that forgets everything / suspends all thought in mid air
Monday, October 26, 2009
You Don’t Say….
I think the most un-American thing you can say is, 'You can't say that.' ~ Garrison Keillor
Actually, I think this is a splendid quote.
Sunday, October 25, 2009
It was an Apple Betty Kind of Sunday
The cooler weather, the fall leaves, I don’t know it was just calling me. Besides I bought some Honey Crisp Apples yesterday at Target… it just seemed the right thing to do. I got no complaints.
It has been dark here all day. We had thunder earlier that sounded like war planes had hit the field by us. Was very unnerving to the dogs.
I was thinking yesterday and this morning both about what seems to be a difference of late on how distraction affects me when writing. For the longest time I never seemed bothered by conversation in the same room. Television, or any excessive movement around me, I just took in stride and kept on writing. This has however become increasingly annoying to me and I’m not sure why.
It could be that I am trying to be more attentive to what people around me are saying. However this would not explain why the TV was not annoying to me before when I wrote but can be not at times. There definitely seems something has changed; but what? Before this mysterious development, I always prided myself in the fact that I could pull out my journal and pen and write anywhere, anytime. I just know some smartass out there is thinking I’m going through the writers change in life.
Friday, October 23, 2009
Robert Pinsky at Midwest Poet Series
His reading or let me call it an interaction with the audience was a lot different then most poetry readings in that he was very laid back and mingled stories with his poems and mid way through took questions and requests for poems to read. Yes, requests. This was particularly impressive because it implied on one hand, that he was confident there would be people in the audience well enough read on Pinsky, that they would have poems in mind that they wanted to hear; and that he would be able to produce those poems from his volumes of work quickly without fumbling through said work. It went perfect!
According to Pinsky, he would be a musician rather than a poet were it not for one thing; his lack of talent. Still, he is more than a casual musician and his love is the Sax is evident. I think the lyrical aspect of his poetry suggests that he is very tuned into sound.
Another strong component of his writing is the way he threads history through his poetry. He suggests that he writes for the dead, and quotes a mantra, “We do not worship our ancestors, we consult them.” He is big on the past, big on culture and the mingling of them together.
His presence is on of reassurance. He’s a very peaceful man. Even when he talked of his anger of the things he saw during the Bush years, he was even tempered and never raised his voice, but you knew he was indignant.
A few of the poems he read, Poem of Disconnected Parts, Shirt and The Night Game.
Poem of Disconnected Parts is such a terrific example of his pull of history and culture together to inform his poetics. Shirt is such a moving poem. Again history meets the art of poetry.
It’s no wonder Pinsky was Poet Laureate for three years- he is the perfect ambassador for the art. After a brilliant reading, he was most humble to the audience as he left the stage. You felt it was he, who was honored to be in our presence.
Hear and Read Shirt
Read Poem of Disconnected Parts
Thursday, October 22, 2009
Idle Hands...
How long can you sit with idle hands? Do you ever? Is this how you start to write?
In the most recent issue of Poets and Writers magazine there is an article about a writer who talks about stillness as he writes. “I’m very tolerant of stillness. I don’t mind sitting there for half an hour. I’d rather not move my hands just to move them; I’ll wait for the right thing.” Jonathan Lethem is a novelist not a poet, but his approach to initiating work on a page is maybe not a bad one even for poets. I sometimes will start with a line of something that comes to me. Maybe two or three different lines till something I feel something take hold. But when I think about my blog post on Monday and the Anne Sexton quote that I committed to thinking about all this week I’m thinking a lot more about the idle hands approach. The wisdom in the Sexton quote suggests listening hard. “Put your ear down close to your soul and listen hard,” Sexton says.
It’s easy when you have a routine that says your take thirty minutes and write that you want to start writing as you sit down. The clock is on. Go! Such routine can probably create bad habits just as well as it can create good ones. But just as silence can be useful on a page, maybe it’s not a bad place to start to center yourself / your writing. In “The Artists’ Way” I think the morning pages are meant to drain out of your system all the residual sludge that can otherwise stain your work if you can’t get your mind off it. So maybe to start with, we should pause. A nice pregnant pause of sorts and then begin to create on the page as something surfaces.
Monday, October 19, 2009
Thought for the Week from Sexton
I saw where Cecilia Woloch celebrated the launch of her new collection of poetry titled Carpathia on Sunday. I’ve read Woloch’s book Late which was outstanding and will be interested to read Carpathia at some point and see how it compares. If anyone gets an opportunity to read it soon, I’d love to hear your thoughts.
Robert Pinsky is in town Thursday for the Mid-West Poet’s series at Rockhurst University. I’ve got his reading on my calendar and looking forward to it.
Thought for the week from Annie Sexton - “Put your ear down close to your soul and listen hard.”
Sunday, October 18, 2009
Calling it a night – or whatever
Is the weekend coming to an end? Where did it go. I’m not rejuvenated yet. As my wife would say, if I go to sleep morning will come and another day (workday)… sigh!
I did get a new rough draft of a poem together today. Read some Sexton… it (she) was speaking to me.
Submission - yes I forced myself to get one out tonight.
Squeezed in an Open Mic. I didn’t read tonight, just wanted to be a listener. A critical ear.
My daughter texted me yesterday to tell me she saw Where the Wild Things Are. I was so jealous. Loved this book! The movie looks really good.
Friday, October 16, 2009
The winner is...
Kelli’s winning manuscript Letters from the Emily Dickinson Room will be published in fall 2010. Her book Small Knots, published 2004 is already among my favorite poetry books. I can't wait to read Letters. Congratulations Kelli!
Tides
Wednesday, October 14, 2009
Just Wondering
Do you ever wonder what the worst writing of the best writers looks like? Those poems and scratching that never make it. Aborted poems.
A year ago or so there was a book published with some of Elizabeth Bishops unpublished work. "Edgar Allan Poe & the Juke-Box: Uncollected Poems, Drafts and Fragments," by Elizabeth Bishop a collection of her material which drew a lot of criticism because it is presumed she would not have wanted to see it in print. Anyway, when I’m having a bad day or string of them with writing, I wonder what a string of bad day writing might look like to a W.S. Merwin or Sharon Olds or maybe Mary Oliver.
Tuesday, October 13, 2009
Thought for the day
The word "happiness" would lose its meaning if it were not balanced by sadness. ~ Carl Jung
Monday, October 12, 2009
Journal Bits
- 10-12 Forty is still this side / of the curvature of the earth / I see it but I can’t touch it.
- 10-11 The ash tray is dormant. / It occupies space / on the end table / to grandma’s old lamp. / Its empty nest stopped begging / for attention it never gets / about seven years ago.
- 10-09 I saw the winter / slip and slide / nearly out from under you / and the plans you alone held to. / My hands were afraid. / They wanted only to hold / your hands tight / as physically possible
- 10-07 The price for this hunger / a layover of hollow thoughts
- 10-07 If there is a purpose for writing poetry, to me personally it is part personal discovery and part a feeling of some immortality.
- 10-04 When baseball ends / for the year and the night / creeps into the morning hour / the dark will eat you.
- 10-02 “I am not alone / and never will be / your absence is my company.” Claribel Alegria – translated by Carolyn Forche’
Sunday, October 11, 2009
What I’ve been Up To This Weekend
Finished the off a poem draft – at least as far as I feel I can go today. At that point when you’ve nothing more to add and can think of any more to cut, so it will sit a while and I’ll revisit it at another time.
Picked up a copy of The Complete Poems of anne sexton yesterday at Boarders. When you have a 40% off coupon it’s time to go buy a book.
I got an email telling me that Autumn Sky Poetry No 15 is out. I always enjoy reading what the editor - Christine Klocek-Lim has selected for each issue, so of course I had to check it out. This issue has some outstanding work in it. A few if the poems that really impressed me:
- The Trouble with Hope by Cheryl Snell
- Two Voices: Frida’s Heart by Carolyn Kreiter-Foronda
- Prototype of a Dream Machine by Kristine Ong Muslim
- We Leave the Beaches for the Tourists by Ira Sukrungruang
- After the Tsunami by Katherine Riegel
Saturday, October 10, 2009
Don’t Pass This Up…. Two short minutes & 13 Sec.
I’m not glued to twitter. I was a long time in coming around to it. There are a lot of things on twitter I don’t care about. Gretchen Rubin I discovered by way of twitter. The 2 minute and 13 second video is what Gretchen Rubin is all about. Enjoy it. I did.
Thursday, October 08, 2009
The Hunger of a Child
a layover of hollow thoughts;
a weakening distraction.
Eyes roll back
in unlevel sockets
to canvass the heavens
for some bright hope
that signals the stomach
to squelch the pangs.
Wednesday, October 07, 2009
What is your poetry supposed to do?
So you write poetry… and you do this with what objective in mind? I’m curious about what writers most hope to achieve when their poetry is read by someone. I know there are probably more then one answer for most writers, but I’m asking you to think about the majority of your poetry.
In considering my own I’ve realized sadly that I don’t often give this a lot of thought. There are times when I hope my poetry will inform. When writing something with a social of political flavor to it, informing can be a big part of it. But sometimes there is no underlying message, just an attempt to provide a different way to view something. Stepping outside the box to show something outrageously different. How a person might look to a catfish on their plate…
I read an interview of a poet recently and there was some discussion of poetry entertaining. Strange as it might seen, I never really considered poetry to be about entertaining readers, though I suppose it is safe to say that I have myself felt entertained by poetry that I have read.
Do you set out to entertain when you write? What do you generally see as the best value of your finished poem?
Monday, October 05, 2009
Monday Matters
Wanted to take a few moments to call a couple of things to your attention.
REPUBLICANS are threatening Net-neutrality.
As federal regulators prepare to vote this month on "network neutrality,”, twenty House Republicans — including most of the Republicans on the House Energy and Commerce Committee — sent a letter to Federal Communications Chairman Julius Genachowski today urging him to delay the Oct. 22 vote on his plan. The neutrality plan would prohibit broadband providers from favoring or discriminating against certain types of Internet traffic. Broadband providers would like to regulate the speed at which sites load for customers. They would for instance like give preference to their own site and perhaps create premium commercial sites that would have speed preferences.
On the Senate side, , Kay Bailey Hutchinson of Texas, is considering legislation that would prohibit the FCC from developing Net neutrality.
What is it with these people that they want to stick it to consumers and provide another windfall for corporations?
A LITTLE GOOD NEWS FOR POETRY IN A BAD ECONOMY
The Dodge Poetry Festival started in 1986 as an initiative funded by the Arts and Education Programs of the Geraldine R. Dodge Foundation. The biennial even easily has attracted close to 20,000 participants to each of the 12 events. But the economic downturn brought news that the festival would be cancelled for 2010. In what may be the best Arts related economic news so for this year, Dodge decided to resurrect the popular event -- the largest poetry gathering in the country. The 2010 event will move to a more urban setting as it was announced that the festival will encompass the performance spaces at the New Jersey Performing Arts Center as well as at least two local churches, the New Jersey Historical Society and parts of Military Park.
The good news come just a year before the event is to occur. It was January when the word came that the 2010 event would be put in ice. The 2008 event cost about $1.3 million to produce. The Foundation had lost considerable equity in investments, nearly 30% during the recession last fall and winter and the latest development is exciting news.
Sunday, October 04, 2009
Thought For the Day
"I postpone death by living, by suffering, by error, by risking, by giving, by losing." ~ Anais Nin
Saturday, October 03, 2009
Anne Sexton Letters Part I
I can’t recall the last time I received a personal letter from someone. By letter I mean one of those things that came via the U.S. postal service and landed in my mail box and waited patiently for me to arrive home. E-mail, I have plenty of.
So there is a real novelty to letters. As I mentioned in and earlier blog post I am reading Anne Sexton A Self Portrait in Letters. I’ve read the published letters of numerous poets over the last few years. Plath, Ginsberg to name a couple. Plath’s Letters Home are remarkable in that they provide a rather contrived communication with her mother. If you read any of her biographies (I’ve read countless) and or her published journals you will quickly see two Plaths. The one she wanted her mother to see and an altogether different one. It is against that strange paradox that I find Sexton’s letters refreshingly genuine. She seems to say what she wants and there is little evidence that she tries to control her message. In fact, it is not uncommon for her to follow up one letter with another one with an apology or some sort of disclaimer for something in an earlier note.
Many poets in the 50’s through at least the 70’s were quite prolific writers between friends and peers. One amazing thing I noted about Sexton is how quickly she managed to correspond with significant poets of her time. With barely a year of writing under her belt, Sexton was corresponding with W.D. Snodgrass, Carolyn Kizer, Nolan Miller, John Holmes, etc. With Snodgrass she corresponded quite frequently and her letters suggest he returned the favor. Sexton in fact used nick names in her communication with Snodgrass that suggest they developed a significant friendship. “Dearest Snodsy, Dearest De, My dear night clerk".”
With Snodgrass Sexton would discuss poems, things going on in a Masters Class with Robert Lowell, the progress of her manuscript, etc. I suppose it is not surprising that her work was well received so quickly because she was able to get it in front of people in position to help her very early on.
In her letters she refers numerous times to the fact that she in not a strong speller. Sometimes her letters meander around. “Christ. I’m off again.” Anne writes to Snodgrass, “Talking in circles. My darling, the peanut butter calls.” These early letters also detail the toll that the decline of the health of her parents is having on her and reference her therapy as well and Dr. Sidney Martin’s encouragement that she write for it’s therapeutic value.
I loved the bluntness with which she wrote Robert Lowell in September of 1958 about her efforts and desire to enroll in his Masters class and her assessment of how this was viewed by the registrar’s perception of this. “Today, with 90 dollars in my fist, I called the registrar’s office. However, it seems they are not bouncing with joy at the thought of a “special student” with no particular degrees. A Mr. Wilder said that I would have to wait until after registration and see if there are too many students in the class.”
As I plow onward though this book I will stop from time to time to share things I believe to be of particular significance.
Thursday, October 01, 2009
What if Life Really is a Musical?
Today I ran down the street to the Federal building to visit their cafeteria over the lunch hour. Exiting with my purchase, I headed back up the street to my office. The wind was wicked crazy and it brought with it chimes from the carillons at St. Mary's Episcopal Church across the way. The music from this red brick church daily fills the downtown air. Today it was playing a tune from the Sound of Music… “i simply remember my favorite things and then I don’t feel so baaaad.” Suddenly I felt like clicking my heels and dancing. This prompted me to wonder, “what if life is really a musical?”






