I've been thinking about the dimensional aspects of poetry upon a page. Not only the poem itself within the boarders of the page but the lineage as well.
There are times when the visual impact of poetry is obvious. An example would be Golria Vando's New Shoes and An Old Flame. However, not every poem is dependent upon the kind of tedious spacing of letters /words that are required to achieve what Vando did here.
How important is the visual appeal of a poem on a page to the average reader? What contributes to an appealing layout of words on a page? What kinds of things are turn-offs? Are these questions trite?
Sometimes when I am journaling and not working on poetry drafts (because I often do that in my journal as well) I will catch myself writing in stanzas. Almost without a second thought at times breaking lines much as I would consider line breaks in a poem draft. Go figure.
2 comments:
Hey, I used to be an intern at The Writers Place in Kansas City, which Gloria Vando and Bill Hickok run. I also recognize that shuttlecock as being from the lawn of the Nelson. Oh how I miss Kansas City.
Ah yes....
Writers Place & Shuttlecocks. That's KC.
I don't know how long you've been away, but if you are familiar with the Nelson-Atkins, you'd be amazed at the new museum of art - very Avant-Garde next to the very retro museum.
It just opened about a month ago. In fact I have a reception with Dana Gioia to attend there tonight.
Thanks for stopping by my blog.
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