Dear Reader:
It's another hit of cold and snow, another birthday, $145 (at last count) raised for the Blind Cat Rescue and Sanctuary, three more fricking recorded calls that start out "there is nothing wrong with your credit cards..." WELL DUH! They are all paid off! Lots more reading & writing, my DNA results arriving, and another week since my last confession.
So Monday, the long-awaited, much-anticipated email arrived with the results of my "spit" in a tube. On the right, you will find the results. I confess I am not majorly surprised. I anticipated the Irish, Scottish, Welsh role in my ancestry would be maybe 20%. I also anticipated England would figure in... I was maybe surprised that it was as much as 38%. Europe West at 35% seemed like a lot, but when you realize that it accounts for all the influence of ancestors from Belgium, France, Germany, Netherlands, Switzerland, Luxembourg, and Liechtenstein, that 35% could be quite splintered up.
The 3% Iberian Peninsula represents Spain and Portugal.
The 3% Scandinavia represents Norway, Sweden and Denmark.
The Caucasus would include Armenia, Azerbaijan, Georgia, Iran, Iraq, Syria and Turkey and the made up 2%.
Finland/Northwest Russia less than 1%
Europe South - as in Greece and Italy, less than 1%.
East Europe - This includes Poland, Slovakia, Austria, Russia, Hungry, Slovenia, Romania, Serbia, Ukraine, Belarus, Moldova, Lithuania, Latvia, Bosnia and Herzegovina, Croatia also less than 1%.
The other surprise is the Caucasus leaves me feeling a strange connection to these countries whose history is steeped in war, conflict and sadness.
I confess that I think it is good for people to have a realization about from where they have come. Who their ancestors are, not just parents and grandparents. Would so many people today be up in arms about immigrants if they realized where their roots lead back to? Would the world seem so big? Would we feel as steadfast in a singular "American" nationality? And unless we have native American roots, American nationality is a bit of a misnomer.
I confess I have been fascinated by this information. I already have a family tree mapped out a bit and have slowly been trying to take it back further, but this information adds a new dimension. It sort of jettisons me back in beyond the individual family trees.
Perhaps another reason this all feels exciting is that I grew up with very little contact with my father and the whole paternal side of my family. This always left me feeling as though I didn't really know who I was. It was like a piece of my identity was missing. As a child, I always felt I was something less than most everyone else.
I am wondering how this information may inform my writing in the future. I confess that I see it as adding some texture to my view of my life, and that can't but help make me a deeper writer.
That's my confession for this week. I hope we all remember we came from someplace, even if it was from under a rock.
Tuesday, January 16, 2018
Sunday, January 14, 2018
Is Marginalia For Me? or Would You Could You In A Book?
Perhaps I owe my respect for books to my mother. I don't particularly recall as a child, but someone must have given me some foundational basis for an almost reverent veneration of books.
My own children read some of the same books I read as a child, their condition mostly with only normal wear.
Continuing into adulthood, my books receive the utmost care. Nothing more than normal wear will do. It is precisely because of this the concept of marginalia, though seemingly fascinating, is hard for me fit into my routine related to my books.
A good many of my poetry book collection are signed by the author. Those have been the only allowable markings otherwise acceptable. However, on occasion, I have been sort of reawakened to marginalia. Usually, this comes about by reading something that has touched on the subject and again my curiosity is opened; I wonder then if I might be missing something.
It seems the practice dates back to ancient times. What's more, there are recorded instances of well-known writers who have taken to the practice when reading other people's work. According to an article by William Giraldi, writing in the Los Angeles Review of Books, the author Herman Melville was rather partial to the writings of John Milton. His copies of Paradise Lost and other poems were said to contain numerous personal notations on the pages.
I acknowledge the thought of picking up someone's copy of a book with such notations is quite intriguing. I am fascinated, for example, of the personal writings of other writers. I believe they give more insight into the thinking of that person. It would only stand to reason I would likewise relish the possibility of reading works with such notations. The conundrum for me is personally moving beyond my hangups and become a marginialest myself. (is that a word?)
I am curious how many poets or avid readers of poetry, or any writing for that matter, make such notations in their books? Did these people find it difficult at the start? Are their others, like myself, who have been conflicted on this matter and how have they gotten over it? To this point, I am asking readers if they would mind taking a survey on the subject. You will find it in the top right sidebar. Your participation is appreciated. Anyone who feels like sharing more specifics may post in comments or email me directly. I will keep you posted in the future on my path towards or away from marginalia.
My own children read some of the same books I read as a child, their condition mostly with only normal wear.
Continuing into adulthood, my books receive the utmost care. Nothing more than normal wear will do. It is precisely because of this the concept of marginalia, though seemingly fascinating, is hard for me fit into my routine related to my books.
A good many of my poetry book collection are signed by the author. Those have been the only allowable markings otherwise acceptable. However, on occasion, I have been sort of reawakened to marginalia. Usually, this comes about by reading something that has touched on the subject and again my curiosity is opened; I wonder then if I might be missing something.
It seems the practice dates back to ancient times. What's more, there are recorded instances of well-known writers who have taken to the practice when reading other people's work. According to an article by William Giraldi, writing in the Los Angeles Review of Books, the author Herman Melville was rather partial to the writings of John Milton. His copies of Paradise Lost and other poems were said to contain numerous personal notations on the pages.
I acknowledge the thought of picking up someone's copy of a book with such notations is quite intriguing. I am fascinated, for example, of the personal writings of other writers. I believe they give more insight into the thinking of that person. It would only stand to reason I would likewise relish the possibility of reading works with such notations. The conundrum for me is personally moving beyond my hangups and become a marginialest myself. (is that a word?)
I am curious how many poets or avid readers of poetry, or any writing for that matter, make such notations in their books? Did these people find it difficult at the start? Are their others, like myself, who have been conflicted on this matter and how have they gotten over it? To this point, I am asking readers if they would mind taking a survey on the subject. You will find it in the top right sidebar. Your participation is appreciated. Anyone who feels like sharing more specifics may post in comments or email me directly. I will keep you posted in the future on my path towards or away from marginalia.
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