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Wednesday, November 11, 2009

Wright Markets Poetry For the Consumer Mind

 

Wright Markets Poetry For the Consumer Mind

Award-winning poet CD Wright visits Columbia to deliver a lecture on the place of poetry in the public discourse.

By Laura Oseland

Published Tuesday 10 November 2009 07:13pm EST.

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How does poetry keep on keeping on?

This is what award-winning poet CD Wright will discuss for the Creative Writing Lecture Series at the School of the Arts on Thursday. Her lecture, “Concerning Why Poetry Offers a Better Deal than the World’s Biggest Retailer,” explores the position of poetry within the public discourse, as an artistic force in the commercial and social environment in which we now live.

Wright Markets Poetry For the Consumer Mind

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What Does it Say About FOX News when Comedy Central is More A More Accurate Source for News?

Sean Hannity and Rep. Michele Bachmann(R-MN) two peas in a pod!

Tuesday, November 10, 2009

Hold on I’m Not Unnerved by Women’s Poetry

I occasionally read the Books Blog at guardian.co.uk and today Jo Shapcott caught my attention with the title Do women write ‘female’ poetry? 

I suppose my interest was principally raised because I’ve given a fair amount of consideration to the realization that my list of poetry reading as well as my favorite poets to read is weighted significantly in favor of female poets. I’ve not quite figured out for sure why though the exploration of this will likely make for a later post.

I don’t think Sharpcott really ever quite adequately defines what makes female poetry. I think I expected more of the blog post but it did come away with a couple of interesting thoughts. Sharpcott comes to this conversation by way of a panel discussion at the Aldeburgh poetry festival. I was somewhat taken back by the fact that she reported  that the women on the panel decided  it was important not to let gender dominate their writing ( at least initially ) in order that the language can lead it in unanticipated directions, BUT it was pretty clear that such thoughts are not expected of men, their poetry is set as a kind of default mode. I have trouble seeing this “default mode” she speaks of.

The second thing that bugged me about this piece was the the statement that women are happy to devour anything that is good (I hate the subjectivism of good here) male readers are sometimes nervous of poetry books by women. I suppose I was put here to be the counterbalance among men and I tend not be be unnerved by poetry written by woman.

Monday, November 09, 2009

Mary Biddinger has Done It Again or Defibrillating Your Poem While You Can

First it was How to kill a poem (before it even starts) and now she gives us How to defibrillate a poem (before it's too late).  Biddinger is cracking me up. But seriously I’m glad to know that "Just Me Being a Shithead” constitutes a poetic device.

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Sunday, November 08, 2009

Journal bits….

A few lines from recent journal entries:

  • the legacy that lives / in us all is the blue veins of fear / that rise up from the soles of our feet.
  • the blue taste of fear-  this they will remember / because they know how it feels / to the touch, they know / how it tastes and they know / how it smells.
  • Reading Anne Sexton today- her poems “In the Beach House” and “Song for a Lady" I like the lyrical quality of both of these, especially the first one.
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Are we listening?

AARios

My wife was visiting my daughters in Arizona this past week and I got this test from her and as I read it come across my phone I was nodding my head… “yes, yes!” I acknowledged her message and she said what she sent me she was a quote on a poster at ASU. She said she knew I would appreciate it. She knows me well.

What she sent me was a quote from Alberto Alvaro Rios – poet and professor of English at ASU [pictured here left] and it’s a poignant expressing of the task of writing.  What she texted me follows:

“The public job of a writer is to write. But the private and secret job of the writer is to listen. Writing itself is finally clerical but listening is a life’s work. By listening we must include the sweetwork of the eye the skin the tongue the nose. This then is the true  language of writers. The language of listening.” ~Alberto Alvaro Rios.

A life’s work… This is so very much related to what my conception of being a poet is about. Listening, observing, seeing things that you might otherwise miss. Seeing things in a variety of perspectives. Searching the natural world, your own soul and the history of the human experience. Putting this all together and recording it. This is to me what being a poet is all about.  Listening and letting what you hear inform what you write.

We all have heard the mantra, Read, write, re-write..  I believe listen needs to be a part of that cycle of process.

 

Sparks!

Photo_103109_002 I shot this picture recently with my trusty phone camera. Hence we are not talking the highest quality of photograph.  Still, I like it because I picture in it the  jumbled wires that crisscross the mind.  Receptors I suppose. I envision them as quiet here… I suppose because if they were busy at work thinking, I would suppose that they would have little sparking neurons racing around the receptors.

Why am I writing about this? Good question. I don’t really have an answer. Sometimes I just like to look at something and turn it into something else.  Looking at things differently is a great way to enrich one’s creative process. Hopefully my receptors are firing on all cylinders and racing around sparking new ideas, pulling from other data in my mind and creating new data.  One can hope.

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Friday, November 06, 2009

Low Battery

This week has been especially stressful and that has to a great extent impaired my writing. For the most part, I attribute this impact more to my energy level than anything else. Stress can be quite an energy drain.

I’ve had creative bursts of ideas, just not the energy to adequately deal with them. Nor have I the energy to keep up with my reading, the energy to write those few extra lines or a few extra minutes to get every out of my head and onto the page. I’m well aware of the dangers fleeting thoughts pose. The ones you never recover. That is usually one of the first casualties of this kind of energy drain.

I promise myself to do better tonight.

Thursday, November 05, 2009

What the poem wants...

Earlier this morning, I roughed out onto paper a couple stanzas of something trying to become a poem. At lunch time I revisited it and decided I think I can build upon it and take the poem somewhere when it wants to be. Right now there are more pieces of it in my mind that it wishes to connect with on a page. Later, I hope to bring them together and see where it is they wish to go together.

kcur: : Poet Phil Miller Delves into Relationships in New Collection (2009-11-04)

Listening to KCUR on the morning drive... This interesting piece on a locallly connected poet, Phil Miller.


kcur: : Poet Phil Miller Delves into Relationships in New Collection (2009-11-04)

In the tumbleweeds of my mind

I'm way behind the curve in the horizon. Had internet problems over the weekend and they extended into the week and I was just too tired to mess with anything last night. Slowly I will get back up to speed. 

In the meantime - Mary Biddinger got my attention and brought a smile to my face with this...  How to kill a poem (before it even starts).  Really liked:  "Turn on several fans so that tumbleweeds of pet hair cartwheel across the floor." How did she even know?

Sunday, November 01, 2009

My Internal Clock is BoNkERs!

This morning I’m really messed up. I already am messed up this time of year but the clock change last night simply has jerked me around more. As a result I’m this swirl wind rolling about and not sure where I’ll be when I land or more importantly what time it will be.

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Saturday, October 31, 2009

Full day & Play Ball!

AFBaseball

Settling to watch the World Series game tonight.  Looking for a good game tonight with the series tied 1 game apiece and the series moves to Philadelphia.  Pulling for the Phillies!

Today was busy. Brought some work home from the office for the weekend.  Did some of it today and saved some for tomorrow.

Send of poetry submissions.  Printed out hard copies of some of my work to sift through looking for manuscript material that I already have to assess what I still need to work on. Lots of stuff I intentionally didn’t print out. I messed around on some rewrites as well.

Made the dogs happy – taking them for a walk.

Chatted with one of my daughters for a good half-hour today.  She’s away at school and I’m missing her, so it was a real treat.

Made dinner tonight for my wife who spent day at the office.

If the game isn’t too late ending, I’ll probably read a bit before turning in. Not counting on a quick game though.

Tuesday, October 27, 2009

Happy Birthday Sylvia

Sigh….  I’m often tuned in enough to think this time of year that the 27th is Sylvia Plath’s birthday but I almost missed it this year. She remains a strong influence in my poetry tastes so I am often thinking about her on the anniversary of both her birth and death. Kudos to IVY for keeping the memory alive!
If you are headed soon to a Halloween party and want a costume idea with a literary theme go here.  What a fun bonus for those in Emily Dickinson costumes…. Hand out plastic flies while reciting the immortal line: "I heard a Fly buzz—when I died..."
Yesterday, Poet Kelli Russell Agodon opened up and shared a lot of information about the making of her latest book that will be out next fall.  Her blog post, The History of a Manuscript, details the path to publication of her manuscript titled Letters from the Emily Dickinson Room.  If you are thinking in terms of working towards publication of a manuscript, read this post. This recommendation is not meant to discourage anyone, but introduce a bit of reality to the process. As I’ve said here before, Kelli’s first book, Small Knots is among my favorite poetry books. Her work inspires me and her talents establish her as a poet whose advise I take seriously. 

Journal Bits

It's that time again...

• the paper absorbed everything and said nothing
• the night is an unsettled dog
• Mary Oliver quote - “Do you think the wren ever dreams of a better house?"
• the exit signs determined in their request
• it's a casual uncaring / not rooted in any harsh disinterest / more maladaptive to the day at hand
• losing myself in the moments of a hair cut / or the making of a spare key / that light headed tingling that forgets everything / suspends all thought in mid air

Monday, October 26, 2009

You Don’t Say….

I think the most un-American thing you can say is, 'You can't say that.' ~ Garrison Keillor

Actually, I think this is a splendid quote.

 

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Sunday, October 25, 2009

It was an Apple Betty Kind of Sunday

 

AppleBetty

The cooler weather, the fall leaves, I don’t know it was just calling me. Besides I bought some Honey Crisp Apples yesterday at Target… it just seemed the right thing to do. I got no complaints.

It has been dark here all day. We had thunder earlier that sounded like war planes had hit the field by us. Was very unnerving to the dogs.

 

I was thinking yesterday and this morning both about what seems to be a difference of late on how distraction affects me when writing. For the longest time I never seemed bothered by conversation in the same room. Television, or any excessive movement around me, I just took in stride and kept on writing. This has however become increasingly annoying to me and I’m not sure why.

It could be that I am trying to be more attentive to what people around me are saying. However this would not explain why the TV was not annoying to me before when I wrote but can be not at times. There definitely seems something has changed; but what? Before this mysterious development, I always prided myself in the fact that I could pull out my journal and pen and write anywhere, anytime. I just know some smartass out there is thinking I’m going through the writers change in life.

Friday, October 23, 2009

Robert Pinsky at Midwest Poet Series


The Midwest Poet Series has hosted some wonderful poets over the years and yet last nights reading by Robert Pinsky is a standout among the many readings I’ve witnessed there myself. This is my first personal encounter with Pinsky, who by the way turned 69 this week and doesn’t look it.

His reading or let me call it an interaction with the audience was a lot different then most poetry readings in that he was very laid back and mingled stories with his poems and mid way through took questions and requests for poems to read. Yes, requests. This was particularly impressive because it implied on one hand, that he was confident there would be people in the audience well enough read on Pinsky, that they would have poems in mind that they wanted to hear; and that he would be able to produce those poems from his volumes of work quickly without fumbling through said work. It went perfect!

According to Pinsky, he would be a musician rather than a poet were it not for one thing; his lack of talent. Still, he is more than a casual musician and his love is the Sax is evident. I think the lyrical aspect of his poetry suggests that he is very tuned into sound.

Another strong component of his writing is the way he threads history through his poetry. He suggests that he writes for the dead, and quotes a mantra, “We do not worship our ancestors, we consult them.” He is big on the past, big on culture and the mingling of them together.

His presence is on of reassurance. He’s a very peaceful man. Even when he talked of his anger of the things he saw during the Bush years, he was even tempered and never raised his voice, but you knew he was indignant.

A few of the poems he read, Poem of Disconnected Parts, Shirt and The Night Game.

Poem of Disconnected Parts is such a terrific example of his pull of history and culture together to inform his poetics. Shirt is such a moving poem. Again history meets the art of poetry.

It’s no wonder Pinsky was Poet Laureate for three years- he is the perfect ambassador for the art. After a brilliant reading, he was most humble to the audience as he left the stage. You felt it was he, who was honored to be in our presence.


Hear and Read Shirt

Read Poem of Disconnected Parts

Thursday, October 22, 2009

Idle Hands...

Finish this sentence: Idle hands are ___________. Did you answer the devil’s tools or devil’s plaything?

How long can you sit with idle hands? Do you ever? Is this how you start to write?

In the most recent issue of Poets and Writers magazine there is an article about a writer who talks about stillness as he writes. “I’m very tolerant of stillness. I don’t mind sitting there for half an hour. I’d rather not move my hands just to move them; I’ll wait for the right thing.” Jonathan Lethem is a novelist not a poet, but his approach to initiating work on a page is maybe not a bad one even for poets. I sometimes will start with a line of something that comes to me. Maybe two or three different lines till something I feel something take hold. But when I think about my blog post on Monday and the Anne Sexton quote that I committed to thinking about all this week I’m thinking a lot more about the idle hands approach. The wisdom in the Sexton quote suggests listening hard. “Put your ear down close to your soul and listen hard,” Sexton says.

It’s easy when you have a routine that says your take thirty minutes and write that you want to start writing as you sit down. The clock is on. Go! Such routine can probably create bad habits just as well as it can create good ones. But just as silence can be useful on a page, maybe it’s not a bad place to start to center yourself / your writing. In “The Artists’ Way” I think the morning pages are meant to drain out of your system all the residual sludge that can otherwise stain your work if you can’t get your mind off it. So maybe to start with, we should pause. A nice pregnant pause of sorts and then begin to create on the page as something surfaces.

Monday, October 19, 2009

Thought for the Week from Sexton


I saw where Cecilia Woloch celebrated the launch of her new collection of poetry titled Carpathia on Sunday.  I’ve read Woloch’s book Late which was outstanding and will be interested to read Carpathia at some point and see how it compares. If anyone gets an opportunity to read it soon, I’d love to hear your thoughts.
Robert Pinsky is in town Thursday for the Mid-West Poet’s series at Rockhurst University. I’ve got his reading on my calendar and looking forward to it.
Thought for the week from Annie Sexton - “Put your ear down close to your soul and listen hard.”