" A poem always has elements of accident about it, which can be made the subject of inquest afterwards,but there is always a risk in conducting your own inquest: you might begin to believe the coroner in yourself rather than put your trust in the man in you who is capable of the accident." -- Seamus Heaney
It was not long ago that I did a minimalist poem that I was rather pleased with upon completion. Completion being such a final word and I so often have the problem of accepting that a poem, any poem I write, is finished. On occasion I'll read the work of someone else and think of modifications. I don't do that often. It is far easier to see someone's work in print and accept that as final. My own is another story.
It is the fact that I could sit back with some sense of satisfaction that allowed me to see this particular work as in completion. I posted the poem to a form I participate in and no one commented on it for days. When someone did, there were two back to back. One loved it and offered no changes, questions or suggestions whatsoever. The other commented one a line break they felt was rather cleaver and offered a couple of other ideas they had.
In reading these posts, I went back to the poem and found that I saw it in a different light. I had no desire to change it. I just felt it was saying something else to me. I have come to accept the possibilities that poetry opens up even to the poet him/herself.
Thursday, November 11, 2004
Bead Artistry -CJ Wells
A short while back, I promised to post some of my wife's work. I finally was able to get some photos that hopefully will do it justice. This piece, as with most of her material was of her own design. The detail involved here is exquisite and most of her work is done in tiny seed beads which require among many things untold patience.
Isn't she great? I'm proud of her work!
I'll post some additional angles maybe later today, yet another piece of her work.
Isn't she great? I'm proud of her work!
I'll post some additional angles maybe later today, yet another piece of her work.
Tuesday, November 09, 2004
Poetry for Your Mood
The Guardian has a fun test that will provide you with a poem suitable for your mood. Go here and take it. I did, the results follow:
You're experiencing a bit of an existential crisis, aren't you? Here's a poem to help you through your long dark night of the soul.
Eel-grass
No matter what I say,
All that I really love Is the rain that flattens on the bay,
And the eel-grass in the cove;
The jingle-shells that lie on the beach
At the tide-line, and the trace
Of higher tides along the beach:
Nothing in this place.
Edna St. Vincent Millay (1892 - 1950)
You're experiencing a bit of an existential crisis, aren't you? Here's a poem to help you through your long dark night of the soul.
Eel-grass
No matter what I say,
All that I really love Is the rain that flattens on the bay,
And the eel-grass in the cove;
The jingle-shells that lie on the beach
At the tide-line, and the trace
Of higher tides along the beach:
Nothing in this place.
Edna St. Vincent Millay (1892 - 1950)
Friday, November 05, 2004
From "Exposure"
An excerpt from a new poem tonight - titled EXPOSURE
A short sleeve shirt
in true to life
form, is a flirt.
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