Robert Stewart, editor of
New Letters introduced
Marilyn Kallet Thursday night as a writer who's poems "wake you up" a quality that he stresses all poems should do.
Kallet, who has been the director of the creative writing program at the University of Tennessee in Knoxville, is also the author of a dozen or so poetry books. She was in Kansas City as one of the featured readers at this years Midwest Poet series.
Marilyn Kallet was a lot of things I did not expect, but she was not disappointing. I expected what I suppose was a southern lady. She was born in Montgomery, Alabama. While there was evidence of southern roots, Ms. Kallet is indeed a well traveled woman who's poetic work is not limited by her southern experience.
Her readings were much more akin to performance. Working without text, but not overtly dramatic. There was a comfortable level to her recitations. She is soft spoken, pleasurably so and fortunately the sound system and acoustics were good.
I was not particularly aware of Kallet's Jewish heritage prior to the event and somewhat surprised by the influence it has on her work. She presented a number of holocaust related works which were quite appropriate with the date (anniversary of the liberation of Auschwitz)
but what I found most enjoyable about her was the ability she possesses to mix extremely serious poetic commentary with wit and humor. I too often write to those extremes and I like that quality in other poets.
Her reading was really quite unlike others I have experienced. She was so good with her delivery I did indeed feel a disconnect from the poetry itself. Not really from her or her presentation but certainly from the written word.
I intend to review here her book,
How To Get Heat Without Fire after I have finished reading it three times
. Perhaps then I will feel the total connection with her word.
