"Everywhere I go I find that a poet has been there before me."
~Sigmund Freud
Friday, March 23, 2007
Thursday, March 22, 2007
What constitutes poetry anyway...
"A Poetries Symposium" April 5-7 at the University of Iowa hopes to expand the public understanding of what constitutes poetry. "Poetries" will encourage participants to think of poetry as a wide range of cultural and language phenomena, not just the masterpieces one might study in English class. Poetic texts exist in unexpected places:
- like greeting cards
- scrapbooks,
- on posters
- or in messages read at weddings
" Such poetry has value, even if it wouldn't make a poetry anthology or a discussion of great art," said Mike Chasar, a UI graduate student in English and co-organizer of the event.
More information and event schedule here
Tuesday, March 20, 2007
Congress Can Make This The Last Anniversary
Congress Can Make This The Last Anniversary
"As we mark the fourth anniversary of the most insane military misadventure in American history--yes, even worse than James K. Polk's invasion of Mexico for the purpose of spreading slavery--there is now more than enough blame to go around for the death and destruction that has not merely killed thousands of Americans but that has left hundreds of thousands of innocent Iraqis dead, emptied the US and Iraqi treasuries into the pockets of unscrupulous contractors and corrupt politicians, and done severe harm to the reputation of the United States as an honest player on the world stage." (read the entire commentary)
"As we mark the fourth anniversary of the most insane military misadventure in American history--yes, even worse than James K. Polk's invasion of Mexico for the purpose of spreading slavery--there is now more than enough blame to go around for the death and destruction that has not merely killed thousands of Americans but that has left hundreds of thousands of innocent Iraqis dead, emptied the US and Iraqi treasuries into the pockets of unscrupulous contractors and corrupt politicians, and done severe harm to the reputation of the United States as an honest player on the world stage." (read the entire commentary)
Monday, March 19, 2007
Small Knots
Some time back, on one of my Wednesday Poet Series features, I highlighted a North Western poet by the name of Kelli Russell Agodon. This past week, I’ve been reading her book Small Knots published in 2004 by Cherry Grove Collections out of Cincinnati, Ohio. Her poetry is intricately layered and stirring.
A few of my favorites from the book are:
Fifty-Six Knots, which touches me with iconic references to the Rosary and the way she has woven the lives of women together, and counting, and Hail Marys bleeding from the walls. Collection plates filling with broken rosaries and the suffered woman in the corner who unties each knot, allowing the beads to fall, baptizing the marble floors…. can you not hear that sound?
If you look closely at the poem on the page, it is constructed of 4 sever line stanzas. Each has a center justified fourth line creating a pattern as though it were strung together. Genius!
Vacationing With Sylvia Plath: Each of four stanzas begins by asking, Maybe if….
A poet’s contemplation that asks aloud and sort of comes back to me as an internalized echo. If the clouds didn’t look like tombstones… if the ocean didn’t seem so final… if I had a chocolate bar between breakdowns… these all grow in crescendo and the final stanza so strong that I won’t repeat it. You need to read it yourself.
It’s Easy to wake up in someone’s poem… (I love titles that become the first line)
Couplets that capture snippets of life around us. Real people you feel you must know being pulled into the page, their lives blots if ink… and in the same way you see how people awake one morning and presto! They become poems.
These are just three… The book is a real treat to read. Kelli is not so mundane as to write simply assessable work, but something that is just over the line and will likely appeal as well to those who like something just a bit more conceptual without going overboard.
A few of my favorites from the book are:
Fifty-Six Knots, which touches me with iconic references to the Rosary and the way she has woven the lives of women together, and counting, and Hail Marys bleeding from the walls. Collection plates filling with broken rosaries and the suffered woman in the corner who unties each knot, allowing the beads to fall, baptizing the marble floors…. can you not hear that sound?
If you look closely at the poem on the page, it is constructed of 4 sever line stanzas. Each has a center justified fourth line creating a pattern as though it were strung together. Genius!
Vacationing With Sylvia Plath: Each of four stanzas begins by asking, Maybe if….
A poet’s contemplation that asks aloud and sort of comes back to me as an internalized echo. If the clouds didn’t look like tombstones… if the ocean didn’t seem so final… if I had a chocolate bar between breakdowns… these all grow in crescendo and the final stanza so strong that I won’t repeat it. You need to read it yourself.
It’s Easy to wake up in someone’s poem… (I love titles that become the first line)
Couplets that capture snippets of life around us. Real people you feel you must know being pulled into the page, their lives blots if ink… and in the same way you see how people awake one morning and presto! They become poems.
These are just three… The book is a real treat to read. Kelli is not so mundane as to write simply assessable work, but something that is just over the line and will likely appeal as well to those who like something just a bit more conceptual without going overboard.
Saturday, March 17, 2007
Thursday, March 15, 2007
What's Art Got To Do With It?
Last night I was looking for something my wife wanted me to pick up at Hobby Lobby and I saw one of those rubber stamps with a line on it that when roughly like this…. “Art washes the soul of the dust of life.”
There is a tendency for people to view art as something superfluous or even a luxury. While I admit, if it were a choice of giving my family food to eat or art, I’d have to choose food. However, if we choose to view art in the context of the quote on the rubber stamp, it seems particularly sad to think that those who are less fortunate, who have to give up something for food or say are too disadvantaged to have health care, may well lack something that cleanses the soul of life’s grime. So what is the value of art? Is it really only for the upper crust of society?
Recently, the metropolitan Kansas City area established something for art that parallels United Way. It’s a workplace-based fundraising campaign designed to support arts and culture. The regional ArtsKC Fund as it is know has been stated as a test program with originally 27 area workplaces that will allow employees to sign on to have “x” amount withheld each pay period to supports arts in the community. The program was just launched in February so I have no idea how well it is being received. The idea is not totally new, as I believe there are some 100 communities across the U.S. that have undertaken similar ventures.
So what’s the value of such an undertaking is in a major City? Why would businesses sign on to something like this? A recent article in BusinessWeek indicates there is a connection between the growth of art communities and economic development in a city. It cites many instances where communities which were once art havens have become upscale and now too pricey for many struggling artists. If you accept the premise of this article, cities should clamor at the opportunity to support and enhance the development of artists within their city limits on the basis of return on their investment. Much in the same way many cities now view professional sports franchises. Cleansing the soul of that community would just be icing on the cake.
There is a tendency for people to view art as something superfluous or even a luxury. While I admit, if it were a choice of giving my family food to eat or art, I’d have to choose food. However, if we choose to view art in the context of the quote on the rubber stamp, it seems particularly sad to think that those who are less fortunate, who have to give up something for food or say are too disadvantaged to have health care, may well lack something that cleanses the soul of life’s grime. So what is the value of art? Is it really only for the upper crust of society?
Recently, the metropolitan Kansas City area established something for art that parallels United Way. It’s a workplace-based fundraising campaign designed to support arts and culture. The regional ArtsKC Fund as it is know has been stated as a test program with originally 27 area workplaces that will allow employees to sign on to have “x” amount withheld each pay period to supports arts in the community. The program was just launched in February so I have no idea how well it is being received. The idea is not totally new, as I believe there are some 100 communities across the U.S. that have undertaken similar ventures.
So what’s the value of such an undertaking is in a major City? Why would businesses sign on to something like this? A recent article in BusinessWeek indicates there is a connection between the growth of art communities and economic development in a city. It cites many instances where communities which were once art havens have become upscale and now too pricey for many struggling artists. If you accept the premise of this article, cities should clamor at the opportunity to support and enhance the development of artists within their city limits on the basis of return on their investment. Much in the same way many cities now view professional sports franchises. Cleansing the soul of that community would just be icing on the cake.
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