How I Create: Q&A with Poet & Writer Samantha Reynolds
Only a year ago, in 2011, Reynolds pledged to write one poem a day to try to “be present” and not miss the fleeting first year of her son’s life. Now she wouldn’t know how to stop even if she wanted to. Bentlily has sparked a movement of people around the world to slow down and savor their lives. Read Interview here.
Wednesday, May 30, 2012
Tuesday, May 29, 2012
Confession Tuesday - What day is it anyway edition?
Dear Reader:
It has been 2 weeks since my last confession. What a week anyway? I confess that my days have seemed like they have all run together for weeks now. Most of the time I'm scratching my head and wondering exactly what day it is.
Three day weekends usually make Tuesday like Monday to the Max. After work I've been busy with a lot of physical lifting and moving at home and this has created a viscous cycle. Tired when I get up -more tired when I get home and so on.
I confess that I am delinquent with library books. I expect to be pulled over by the Library Police. I picture a female officer with her hair pulled back and thin black wire glasses. She clears her throat and asks to see my library card. She reminds me I have books overdue and says she will issue me a warning but next time she will be forced to suspend my license.
I confess that my writing has been neglected recently. Less frequency. Out of my routine. It really has been hard amid all these run-together-days to tap into creativity. I know that I have the ability to tackle this problem and no one else. I need to make an effort to create some real defining differences to each day. Give myself a chance to be more observant - maybe get out for a short walk each day and try to stretch my mind to unlock the creativity that has been hold up and missing in my days.
Oh, and note to self... Trash pickup is a day late this week. Thursday - note to self. Trash to curb in two days.
It has been 2 weeks since my last confession. What a week anyway? I confess that my days have seemed like they have all run together for weeks now. Most of the time I'm scratching my head and wondering exactly what day it is.
Three day weekends usually make Tuesday like Monday to the Max. After work I've been busy with a lot of physical lifting and moving at home and this has created a viscous cycle. Tired when I get up -more tired when I get home and so on.
I confess that I am delinquent with library books. I expect to be pulled over by the Library Police. I picture a female officer with her hair pulled back and thin black wire glasses. She clears her throat and asks to see my library card. She reminds me I have books overdue and says she will issue me a warning but next time she will be forced to suspend my license.
I confess that my writing has been neglected recently. Less frequency. Out of my routine. It really has been hard amid all these run-together-days to tap into creativity. I know that I have the ability to tackle this problem and no one else. I need to make an effort to create some real defining differences to each day. Give myself a chance to be more observant - maybe get out for a short walk each day and try to stretch my mind to unlock the creativity that has been hold up and missing in my days.
Oh, and note to self... Trash pickup is a day late this week. Thursday - note to self. Trash to curb in two days.
Saturday, May 26, 2012
Bouncing Thoughts
Just finished mowing the front lawn. Came in with a diet coke - sweating and here I sit at my laptop and realizing it's just past 1PM I suddenly feel a large portion of my weekend has slipped by with nothing to show for it (except a challenge to the people on the north and south side of us to take their lawn down a notch.
I've read several things this week (mostly on blogs) that have caused me food for thought. Here are some of the items bouncing off my cerebral walls.
1. The first has nothing to do with blogs or reading...I simply missed confessing on Confession Tuesday. The fact is my past week has been busy at work and at home and I really had nothing exciting to say except I was out of energy and time. Too much going on and it's still out there like a stationary front on the weather man's map. It's just hanging over the city all sultry. But enough of that because this is one super ball I want to find it's way outside my scull.
2. There is a long standing story that my writing poetry is an attempt to find a loophole in mortality. So when I read in Book of Kells this week about poet Patrick Lane at the Skagit Poetry Festival how after a poet died the wife of the poet had the family and friends of her husband memorize each 5 poems of his. In this way, each of them had five of his poems alive within them and they would be able to share them with others. By doing this she was keeping her husband and his work alive in the world. So I'm thinking this immortality thing for poets can work.... kind of.
3. Reading an earlier blog post by Martha Salino I marveled at the description of the writing relationship with Heather McHugh during an independent study. Sure, from what I've read of Heather and her work I've been exposed to this was the kind of thing any serious writer would likely be ga-ga over. Still, what this brought to my mind was not specifically anything about Martha and Heather but the value of interaction of writers in general. I've often thought for instance of writers I'd love to even just have an hour lunch with to talk poetry in general. Their writing processes or motivations. Where do they feed their creative hungers? Things they try never to do when they write. I think about who I'd tag for such an occasion - it's all fantasy - but after all, poets are good at dreaming of the far fetched. I always enjoy reading the letters of poets because there often is the more personal and revealing side of the artist that comes through.
I've read several poems online this week that have me thinking about various different topics. Strife in third world countries, couple of poems about rather mundane items and last but not least, travel. These things have been rolling through my thought process because I like to thing about poems that I read that truly seem to bring fresh approaches to writing. For example, I've thought a lot about in writing collections of themed poems, how do you talk about one or two things for say 35 poems and keep your reader wanting to read the next poem? How do you keep it fresh... moving and different?
I've read several things this week (mostly on blogs) that have caused me food for thought. Here are some of the items bouncing off my cerebral walls.
1. The first has nothing to do with blogs or reading...I simply missed confessing on Confession Tuesday. The fact is my past week has been busy at work and at home and I really had nothing exciting to say except I was out of energy and time. Too much going on and it's still out there like a stationary front on the weather man's map. It's just hanging over the city all sultry. But enough of that because this is one super ball I want to find it's way outside my scull.
2. There is a long standing story that my writing poetry is an attempt to find a loophole in mortality. So when I read in Book of Kells this week about poet Patrick Lane at the Skagit Poetry Festival how after a poet died the wife of the poet had the family and friends of her husband memorize each 5 poems of his. In this way, each of them had five of his poems alive within them and they would be able to share them with others. By doing this she was keeping her husband and his work alive in the world. So I'm thinking this immortality thing for poets can work.... kind of.
3. Reading an earlier blog post by Martha Salino I marveled at the description of the writing relationship with Heather McHugh during an independent study. Sure, from what I've read of Heather and her work I've been exposed to this was the kind of thing any serious writer would likely be ga-ga over. Still, what this brought to my mind was not specifically anything about Martha and Heather but the value of interaction of writers in general. I've often thought for instance of writers I'd love to even just have an hour lunch with to talk poetry in general. Their writing processes or motivations. Where do they feed their creative hungers? Things they try never to do when they write. I think about who I'd tag for such an occasion - it's all fantasy - but after all, poets are good at dreaming of the far fetched. I always enjoy reading the letters of poets because there often is the more personal and revealing side of the artist that comes through.
I've read several poems online this week that have me thinking about various different topics. Strife in third world countries, couple of poems about rather mundane items and last but not least, travel. These things have been rolling through my thought process because I like to thing about poems that I read that truly seem to bring fresh approaches to writing. For example, I've thought a lot about in writing collections of themed poems, how do you talk about one or two things for say 35 poems and keep your reader wanting to read the next poem? How do you keep it fresh... moving and different?
Thursday, May 24, 2012
Never to Be Seen
Patches invigorate the ready to wear line
she put to test and no one could be certain—
she ever came out of the blind.
There were rumors, I’m sure
you’ve heard that she never wanted to be
seen after he left her; after all the fuss
over Palm Springs, over the night the moon lapsed
into a deep coma and the best that he could do
was a sad impersonation of a neurotic art whore.
The things he did for a painting or two…
no wonder the poor dear would cloth herself
in camouflage.
Sunday, May 20, 2012
Turning to Stories–Alzheimer's Patients Improve Interaction
First off, I want to acknowledge NPR for this post but also say a few words in general about their value in the community. NPR fills a hole in the media landscape that I really don’t see anyone else really touching, besides a higher quality of journalism then what we get from the rest of the media gene pool. With the decline in network television and the sensationalism of Cable we have lost something that those in their in their 30’s and under really have never experienced. Yes, modern times have given us much progress, but we’ve paid a price in other ways. But I deviate from this post.
What I really want to say is that I was impressed with the NPR story about a program in Seattle where volunteers are working with patients with Alzheimer's disease and other types of dementia to find ways to improve interaction with others in a low-stress environment.
Using a program called Time Slips, volunteers utilize poetic language of improvisational storytelling to invite people with dementia to express themselves and connect with others. The program founder Anne Basting describes the importance of their work this way… "People with dementia start to forget their social role; they might not remember they're a spouse ... a parent," says Basting. "They need a social role through which they can express who they are, and the role of storyteller really supplies that."
You can listen to the NPR Story HERE.
What I really want to say is that I was impressed with the NPR story about a program in Seattle where volunteers are working with patients with Alzheimer's disease and other types of dementia to find ways to improve interaction with others in a low-stress environment.
Using a program called Time Slips, volunteers utilize poetic language of improvisational storytelling to invite people with dementia to express themselves and connect with others. The program founder Anne Basting describes the importance of their work this way… "People with dementia start to forget their social role; they might not remember they're a spouse ... a parent," says Basting. "They need a social role through which they can express who they are, and the role of storyteller really supplies that."
You can listen to the NPR Story HERE.
Naomi Shihab Nye latest book reviewed by Thomas Devaney
Book Review: ‘Transfer’ from Naomi Shihab Nye
Naomi Shihab Nye is one of the most spirited voices in American poetry. The author, editor, and translator of more than 30 volumes, she is best known for her poetry collections Fuel (1998) and You and Yours (2005), and her award-winning anthology of international poems for young people This Same Sky (1992). In her affirming introduction for that book, she writes, “Whenever someone suggests ‘how much is lost in translation!’ I want to say, ‘Perhaps — but how much is gained!’ ” »Read story
Saturday, May 19, 2012
Katrina Vandenberg - New Poetry Book
Katrina Vandenberg wowed me several years back with her first poetry manuscript published as "Atlas." I had the opportunity to hear her read personally in Kansas City and purchased her book later as a result. I saw an article online that appeared in the Twin Cities Star Tribune about her her latest book... "Using letters as a frame, Vandenberg exercises restraint in her poems, letting the personal and historical inform one another." Catch the complete write up here. This will have to go on my books to buy list.
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