So what's the big deal?
Ok, the big deal is this... I started organizing myself so that I do my submissions on Saturday. I just finished this week's. Yeah!
Last week was the start of this new plan/habit. Maybe it's too early to call it a habit yet, but I have accomplished my planned submissions now two Saturdays in a row. In addition, last Saturday I was an over achiever and submitted someplace in addition to my plan.
Now about the plan. I am trying to plan at least three months in advance. That assures a couple of things. Each quarter of a year I now want I need to do for that period of time. Since I check the reading dates I can make sure I'm getting material to the various Journals and venues that I want to be in and not miss their deadlines or like I've often done, realize on Friday night that a deadline is two or three days away and I've given no thought to what I'd be sending so in the pressure of it all I say, "F it" and just let it pass. "F it" is a well developed form of procrastination for me.
So you see, this not only affords me better control over my calendar of submissions but it also assures that I have time to explore the best fit for my work. Let's face it, if you don't take the time to explore best options and you just slap together three to five poems and send the out, can you really be surprised when they come back in your face rejected? If you want an editor to truly take time to consider your work, take some time and be thoughtful about what might be a best fit for the Journal you are submitting to. Are you always going to nail it? No, but it's better then throwing the spaghetti noodles on the wall to see if they stick.
I've said it before, I hate submitting work. I'd rather write then submit. But no one has ever come up to me and said "Hey, give me something, anything and I'll publish it." And if they did, I might not want to be in what they just published.
So from now on, if it's Saturday, It's Submission Saturday! I've actually felt good these past two Saturdays after achieving my submission objective. So maybe I'll start to like this thing. Or, at least not hate it so much.
In both instances I've felt so good when I was finished, since I was at my laptop I just kept on working either with rewrites or starting new stuff.
Saturday, March 16, 2013
Wednesday, March 13, 2013
Confession Tuesday on Wednesday
Dear Reader:
I confess I’m slipping into the confessional late for
Confession Tuesday. I see you are already aware I am tardy. In my own defense I
was at a poetry group meeting last night.
We did an impromptu write – pulling our prompt from a box
passed around. I prompt was to write about my favorite trip or vacation during
my teen years. I confess this was really hard because as I thought about it,
the most remarkable thing about vacations as a teenager was that they were
unremarkable. I got something down on paper but honestly I had to really lower
my standards to choose a favorite.
Arriving home last night my wife had not eaten yet. I went
out to get us fast food. Later, we were watching TV just before turning in and
my daughter who had just come home came in to say good night. My wife asked if
anyone had any chocolate for her. I confess that she has been dropping not too
settle hints for several days she is craving chocolate and I confess that I’ve
been neglectful in appropriately delivering on the chocolate hints. Note to
self, don’t home without chocolate tonight!
I confess my body is still rejecting the time change from
the weekend. Maybe I’ll get it together by this weekend.
I confess that I've been trying to hold out the past two
days from making a call to my chiropractor to see if she could work me in on an
emergent basis. I have my regular appointment tonight for adjustment and
trigger-points. I see the light in the tunnel.
I confess that I have so many apps on my phone that if I
were ever to get stranded in the woods someplace I’d have to immediately dump
all my apps to conserve battery until I could be located.
I confess I have no idea why I was even thinking about the
possibility of being lost or stranded someplace.
Amen~
Sunday, March 10, 2013
The Mag 159: The Cycle
Meal Beach, Burra Isles, Shetland by Robin Gosnall
Listen to the power.
A clean white foam pushed
from behind by a blue-green hand
then pulled back.
The sand wet,
beach reticent briefly-
then the flapping
and laughing of disquieted Seagulls
in the distance; then closer
until deafening.
As the white foam reappears
the gulls circle out to sea
watching, awaiting
the powerful wall of water
once again push in
and take back.
In mocking fashion
the birds do it all over.
Michael A. Wells
Saturday, March 09, 2013
The Mag 158: All Is Spilled
Photo by TheFoxAndTheRaven
All is spilled
There is nothing more
I romanticize. Not bath
nor sleep. Not the ache
of empty night.
The voices are of no comfort.
They press me awake endless hours
Is this an inquisition?
Must I answer? I am pulverized,
strained through a cauldron
of one sided talk-
I look to my wrist
I look for answers
I look, I look...
Michael A. Wells
Friday, March 08, 2013
Talking to Poems
So it's Friday night and what are you doing?
Me, I'm transitioning from Diet Coke to Chardonnay. I've been working for several hours on a poem and our conversation had grown old and tiring so I've stopped for now.
Do you talk to your poems? Ok, more specifically your poems in progress. Drafts. First drafts, second drafts, twenty third drafts?
My conversation with this evening's poem-in-making has started out asking a single line where it would like to go. It said take me to the other side of what you just said. So I said ok and abridged. I asked what will we do after we've contradicted our opening line. I go no response. (sipping wine) I don't know about you but when I ask a direct question of a poem-in-making I expect at least that it will clear it's throat and appear to be thinking of a reply. I was about to repeat the question when it said you assume too much.
I'm not sure how I feel about a poem - especially one in the making assuming it knows what I'm assuming. I thought it important at this point to make it clear that I had no preconceived notions about where this poem was going. It quickly shot back, "Good!"
I studied my words on the page. Flipped a stanza. Cut some words. Another "Good" arose from the page. "You approve then?" I asked. I was told yes, but for the time being. I thought about moving the opening line to another location in the poem. Cautiously I was told that was worth considering, but encouraged to consider too making the opening line the title of the poem instead. I said I'd keep that in mind.
My head is spinning at this point and I suggested that I really thought it might me time to step back and let this all rest upon the page a while. Maybe overnight. There was a sigh... "No offense, but working with you can be tiring." I responded, "Oh, you think so?" and I saved the work in progress.
Me, I'm transitioning from Diet Coke to Chardonnay. I've been working for several hours on a poem and our conversation had grown old and tiring so I've stopped for now.
Do you talk to your poems? Ok, more specifically your poems in progress. Drafts. First drafts, second drafts, twenty third drafts?
My conversation with this evening's poem-in-making has started out asking a single line where it would like to go. It said take me to the other side of what you just said. So I said ok and abridged. I asked what will we do after we've contradicted our opening line. I go no response. (sipping wine) I don't know about you but when I ask a direct question of a poem-in-making I expect at least that it will clear it's throat and appear to be thinking of a reply. I was about to repeat the question when it said you assume too much.
I'm not sure how I feel about a poem - especially one in the making assuming it knows what I'm assuming. I thought it important at this point to make it clear that I had no preconceived notions about where this poem was going. It quickly shot back, "Good!"
I studied my words on the page. Flipped a stanza. Cut some words. Another "Good" arose from the page. "You approve then?" I asked. I was told yes, but for the time being. I thought about moving the opening line to another location in the poem. Cautiously I was told that was worth considering, but encouraged to consider too making the opening line the title of the poem instead. I said I'd keep that in mind.
My head is spinning at this point and I suggested that I really thought it might me time to step back and let this all rest upon the page a while. Maybe overnight. There was a sigh... "No offense, but working with you can be tiring." I responded, "Oh, you think so?" and I saved the work in progress.
Tuesday, March 05, 2013
Confession Tuesday
It's Tuesday and I'm moving slowly to the confessional because it's been the kind of day and evening where I'm not to certain it's good to put too much stock in my forward motion. But I'm here so let's get started.
Dear Reader:
I confess that there have been a couple nights this past week where I've come home and pretty much blown off the evening. This is easy to do if I've had a particularly crazy day at work. Actually today would be a good example. A day when you are just beaten down with work and after a full day of it feel you have not made any headway against your work load. It's days like that I come home - do the minimal I need to do, then crash and burn. Don't like it when I'm like this - looking to break from this, find a way to slowly unwind and then do something productive.
For several years now I have observed the annual anticipation of, the hoop-la and the afterglow of AWP. I must insert for the record that the observation has all been from afar. I've not been to AWP. I've seen people rave about the contact with other writers that they might not have met otherwise. They talk about great panel discussions, swoon over treasure troves of books and of course there are the readings. Occasionally I have read blog posts or Facebook post from those who start by indicating they are not going to AWP this year and then in some silly and demeaning way poke fun at the conformance. I confess I have chuckled as I have read through some of these pieces, yet I wonder if the writer is not really just using humor to mask disappointment for not being there. I confess that I'm intrigued by what I have heard of the conformance and
yes a bit jealous of those attending.
I confess the return of sunlight after all our snow has been uplifting. I confess that we still have mountains of snow and that the sunlight on it is blinding, but I was going blind from the abundance of white everywhere anyway.
I confess that I'm ready for Spring.
Amen.
Sunday, March 03, 2013
The Planning Poet
Friday and Saturday I did some writing and was pleased with the progress. Tonight I've taken another route. Tonight I'm the Planning Poet. I've spent time scouring the various venues for publication with concentration on submissions for the next 90 days. I'm identifying who I want to submit to and matching my calendar with their reading periods.
One thing I'm being is realistic. I'm not trying to send work to 10 places in one weekend. First, I want to be able to stay on a steady work schedule. The last thing I want to do is set myself up for failure from the start.
Knowing at the beginning of one week what publication I am focusing on that coming weekend allows me time for quality forethought to each submission package.
I've gone crazy cranking out submissions in the past like all in one weekend and they instantly cold for months. It's no secret, I said it many times before, I dislike the process of submitting work. Still, I'm well aware that it's all part of the process. Unless I'm just going to write and throw all my work in a trunk and forget about it, then I need to get real about my commitment to the whole process.
By the end of May, I'll let you know how this is all working out for me.
One thing I'm being is realistic. I'm not trying to send work to 10 places in one weekend. First, I want to be able to stay on a steady work schedule. The last thing I want to do is set myself up for failure from the start.
Knowing at the beginning of one week what publication I am focusing on that coming weekend allows me time for quality forethought to each submission package.
I've gone crazy cranking out submissions in the past like all in one weekend and they instantly cold for months. It's no secret, I said it many times before, I dislike the process of submitting work. Still, I'm well aware that it's all part of the process. Unless I'm just going to write and throw all my work in a trunk and forget about it, then I need to get real about my commitment to the whole process.
By the end of May, I'll let you know how this is all working out for me.
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