A Little Poetry News to Chew On

Wendy Cope is not amused to find her work spread about the Internet... The British poet is a strict advocate of copyright protection. [ story]

In Janet's World the poetry is contemporary issues and extremely accessible - though not likely to win any awards. [ story ]

Tiny chapbooks that combine art, literature and design [ story ]

The story of on of Philip Larkin's (1922-85) greatest narrative poems, "The Explosion"which offers thoughts on the process of poetry.

The difference between...

"Public toilets have a duty to be accessible, poetry does not." ~ Geoffrey Hill

They Should Do Lunch

Even after the nail biting defeat and elimination of the ASU Sun Devils last night in a 10 inning 7-8 loss in the College World Series, the morning sky was strikingly resolute with a cherry blossom sunrise. Life goes on.

If you've read my blog very long, you have likely figured out that I am not impressed with John Barr's efforts to bring poetry to the masses. To be clear, I have nothing personally against Mr. Barr and in fact I applaud his desire to further the art of poetry. It is not his objective but rather the means to that end that I dislike, both from a practical point and an artistic point of view.

Poetry, like any of the arts, is a broad expression of many genres. Not every song, not every painting, not every photo and certainly not every poem strikes everyone the same way. The way to strengthen any art for is not to divide it's benefactors or practitioners. This is where I part with the John Barr's of this world. So when I read a commentary by Mike Burnside - Winning ways in the war of the words , I found myself whispering under my breath, "...yes, yes!"

Barnside suggests that Barr would do well to use a model more like that of Peter Gelb, general manager of the Metropolitan Opera in New York City. He argues that if there is any art that struggles more in public persona then poetry, it is perhaps opera. And opera, like poetry, can easily be divided into accessible and not so accessible groupings. Barnside give Peter Gelib high marks for promoting opera across these divides with great success and suggests Barr and Gelib do lunch. Not a bad idea!

Allowing Poetry to Speak to You

When I saw this quote, it touched a nerve within me that rang all sorts of bells and whistles...

"A lot of the fun lies in trying to penetrate the mystery; and this is best done by saying over the lines to yourself again and again, till they pass through the stage of sounding like nonsense, and finally return to a full sense that had at first escaped notice." -Anthony Hecht

This takes me to the core belief that I have about the issue of accessibility in poetry and why I believe we should not have to defend poetry that is outside that nice clean little cozy realm of accessibility.

In fact, I hunger for poetry that is more then a read it through once and be able to say, "that's nice." I much prefer to allow the poem to speak to me than for me to read it as though it were a Dick and Jane reader and presto it is all perfectly clear at that period at the end of the last sentence.