- Dean Young - I first met Dean Young in Kansas City as I was monitoring a Masters class at UMKC. I read is 2011 book Fall Higher and was very taken by the abstraction of his writing. I was further intrigued by the class which lead me to purchase his book, The Art Of Recklessness. A truly cerebral examination of the art of poetry. I still pick up these books and read from them from time to time.
- Sandra Beasley - I read Sandra's blog (Chicks Dig Poetry) for a number of years now. She is not near as active a blogger as she once was but I got to hear her read this spring in Minneapolis where she was a featured reader at AWP15. Upon returning home I read her book Theories on Falling. This dead to the purchase of I Was The Jukebox, and her most recent book Count The Waves. Her approach to the craft of poetry leaves you feeling excited.
- W.S. Merwin - This man is like one of the Deans of contemporary poetry. A national treasure that I return to reread frequently. He has historical ties to some many ineradicable poets who have since left us. I believe this must inform his work in some way. I own two books of his many. They are Migration and The Shadow of Sirius. His work feels very organic to me.
- Kelli Russell Agodon - wow! The energy, the inventiveness, Poet and Editor. She is co-editor of Two Sylvias Press which she claims happened as an accident, This Press is doing some magnificent things including but not limited to the Poet Tarot Cards. But that's not why Kelli is on this list. She has published one Chapbook and three poetry collections. All three noteworthy in my opinion. Letters From The Emily Dickinson Room, her second collection really resonated with me. So much so that as her third collection was about to be released I knew it would be good but could it top Letters. Well it did! Hourglass Museum was an adventure that rocked my world. It's a journey both through her museum between pages but a life study of what it means to be an artist/writer/poet! I wish all good things for her growing press, but I hop it never takes her away from her own writing.
- Marry Biddinger - Mary is another editor and writer. I saw her at AWP15 and have three of her books that have been very much to my liking and she has won me over as a fan of her work. The first Saint Monica and the second O Holy Insurgency grabbed my attention as they both were rooted in Catholic culture which I enjoyed. The most recent A Sunny Place with Adequate Water merged the pas and the present in surrealism.
- Jessica Smith - I can thank Jessica for my somewhat new interest in experimental poetry. I own two of her books, The Organic Furniture Cellar and her newest Life-List. Jessica is also a birder, which is pretty cool. I got an opportunity to meet her at AWP15 as well.
Sunday, August 09, 2015
Summertime & Reading = Poets Crush List Time
Monday, May 25, 2015
Coin Operated Poems - A Review
Tuesday, April 14, 2015
Confession Tuesday - Post AWP Edition
- Thank you for the Surgery
- Confronting our fears and turning Adversity into Art
- The Pink Tuxedos
- Intimate Communities: How to Form and Keep a Writing Group that Works
- Old Friends Who've Never Met and Some Poems
- The Best New Poets: A 10th Anniversary Reading
- A Room of One's Own, Plus Others:Writers Shared Spaces and Communities
- The Sentence and the Line. A Journey Meaning Makes
- James Wright in Minneapolis
- Melancholy and the Literary Uses of Sadness
- A Tribute to Jane Kenyon
- I Am Me as You Are We - Exploring Pronouns in Experimental Poetry
- Echos of Displacement; Sound in Poetries of Diaspora
author of A Sunny Place with Adequate Water
This makes a third book by Mary Biddinger that I own.
She is actually holding up Barn Owl Review - which I meant to pick up a copy of and will now have to order.
On the right I am pictured with poet Jessica Smith. Jessica and I both share a passion for birds. I am anxious to delve into her most recent book Life Lists which forms the backdrop for this work.
Pictured on the left is Eduardo Corral and Sandra Beasley who both read at a 10th Annual reading of the Best New Poets anthology. They were two of the four readers. All four were especially worthy of their selection for this. I've read Beasley's blog for years but had never met her until this reading. She has a compelling voice that is fresh and flourishing. You want to read more of her work upon the moment she is finished reading.
I also was excited to meet Nin Andrews and pick up a copy of her new collection Why God is a Woman
- If you were from Minneapolis and out and about town after hours but may have appeared that a zombie apocalypse was occurring as there were writers walking every street with their eyes looking totally zoned out. And yes they were writers not Minnesotans - as evidenced by their name tags on lanyards and or AWP tote bags.
- I cannot judge the WiFi against past conferences but it was spotty at best. I have no idea how many tweets were hung up in the tweetmosphere because the sender walked ten steps while tweeting.
- AWP is not going to make me a superior writer, but it has given me another window to look through. It has made me physically tired, but alas it has infused me with a charged mental attitude and a lot of new directional thinking.
- There is no substitute for being immersed in and among remarkable writers and exceptional poetry. Also, bringing home lots of books and journals to feed the reading experience. And I believe poets at al levels have a need to read.
- I was glad to see and connect with advocacy groups for the arts and VIDA.
- So many poets in boots. Just had to throw that out there. Is this the replacement for the beret?
- And last, I was taken by the number of mothers with children, infants. I know taxing the conference was to me. I can hardly imagine the balancing act these women had to preform. I applaud their commitment to writing. And yet I know for every one that was there with child there were untold numbers who wanted to be but it didn't work for them. I'm thinking out loud here but I wonder if there has ever been consideration to child care options for the event? Maybe this has been explored. If not, it should be looked at. And surely dads and other family members, can offer a more supportive to young mothers.
- I do what to give a shout out to my wife looked out for me from afar.She was concerned that I would forget to eat or something. I just know she was always concerned about it. Breakfast at my hotel was pretty awesome. The first day I shot a picture of my platter and messaged it to her to ease here mind. Afterwords, I realized I should have done like kidnappers and put the front page of the morning paper in the picture so the date was prominently displayed.
Tuesday, February 05, 2013
Confession Tuesday - Six Degrees from The Following
Saturday, October 06, 2012
Writing and Family Response
HOW TO HELP FRIENDS AND FAMILY UNDERSTAND YOUR WRITING...
Friday, June 29, 2012
Two Judges Say Go Deep - Don't Play It Safe
I have note entered a lot of contests - I maybe average one to two entries a year so I'm one one who has a lot of personal experience with the contest circuit.
One of the two pieces that I'm talking about was an interview in Ploughshares of Mary Biddinger by Victoria Chang. I've met Victoria at a reading in Kansas City I believe in 2008. I've read two of her books Circle and Silivinia Molesta. I enjoyed both but was much impressed by Circle as a first book. Biddinger I've never met or heard read but I have her book Saint Monica which I was so in love with I I can hardly contain myself in wait for her next book O Holy Insurgency. She is the queen of Catholic poetic culture.
The second piece that I read was a blog post by Susan Rich. I've never met Susan either but have her book The Alchemist's Kitchen. One thing that I've appreciated about Susan is that she is a poet who not only has a strong social consciousness but will on occasion allow it the gently permeate her work.
So insight of interest did I glean from these two sources? Rich pointed out, "...all the poems that were sent on to me were quite competent. However, competent is not enough to win a contest. The poems that startled me, that made me want to read then and re-read them, the poems that could not be nailed to a chair in terms of their meaning." Her advise specifically was to, "Choose to send your poems that take risks."
Mary Biddinger said she loves "Poems with teeth... poems that aren't afraid to use their teeth." For Biddinger, she would rather see "a manuscript that makes a few missteps, but dose so with bravery, versus a highly-polished competent, yet safe collection."
If you take to heart what these two poet/judges have to say on the subject, it comes down to being willing to take the risk. I suppose this really should come as no surprise because it really is the poem that stands up and dares to be different that gets noticed. I can recall shuffling through pages of work in the past and pulling from it the pieces that seemed the most polished. I will try to not make that mistake again.
Wednesday, June 08, 2011
Everyday Saint
It seemed to me upon reading the interview that (the idea) Saint Monica came to Mary in almost a casual way and I find it fasinating - the transformation from this inception into a series poems bringing the saint into the everydayness.
I've only read one of the poems at this point but have seen the titles of a number of them this has been enough to hook me. That and the cultural aspect of Catholicism and poetry molded together. The book just came out on June 1st and is available at: Black Lawrence Press or Amazon.
Saturday, September 06, 2008
Sensory Triggers
Mary Biddinger writes in her blog Word Cage about sensory triggers. Those things that set off a particular behavior or thought by recreating a past experience. Isn't it true that the best poems usually are able to take us to experiences that that we are able to relate to; that by the poets very words we can suddenly taste Grandma's apple pie or feel the warmth of the fireplace against our face on a cold November night, while smelling the oak log burn and sipping hot chocolate? Words properly chosen have the power to transport us to another time and bring alive real experiences of the past.
So I sit here this evening thinking of things that I would consider sensory triggers I can relate to.
- The smell of cut grass takes me to a Saturday or Sunday afternoon at the ballpark. The warm sun beating down on the green field.
- When I feel the lawnmower with gas it takes me back to when I was a kid and my Grandmother would stop for gas. Those were pre air conditioning days and with the windows down it aroma of gasoline was particularly sweet and strong. I always am transported back to that little filling station in town and still see the sign reading 34 cents a gallon.
- The feel of those wood spoons you get with Frosty Malts feel like rough, dry tongue depressors in the doctor's office and make me want to cough.
- When I'm handling something that tends to dry my hand out a lot, I am suddenly on an out of town trip, headed home to Kansas City, along the roadside changing a flat.
Those are just a few things that come to my mind. There are lots of music triggers that take me back to the sixties, seventies and eighties. Events and places.
I think I should spend the next week listing such triggers in my journal.
Tuesday, August 19, 2008
Notables
I found Mary Biddinger's blog Word Cage the other day and she offers some insightful blogging on poetry. What do you need, and why? is a fascinating look at what she has to do to write a poem. At last count there were like 9 replies in the comments and it's fun to see what everyone else has to say on the subject.