Poetry Out Loud and With Distance

 A strange alchemy happens when the poem is read aloud that allows the writer to perceive it more purely, with more distance.  ~ Beth Ann Fennelly

Magpie Tales 65 - Poem: The Origin

Where do the winds of Assisi

that sweep birds aloft,

dash butterflies gently off course

originate? Winds that kissed

the bearded face of St. Francis

that brought stillness to all creatures

around him. Their assemblage

replete with order.

Is there a beginning of such grace?

Does it start of nowhere and become?

Is it thrown swiftly underhand

by God himself?

And when it settles—   where

does it go?




2011© Michael A. Wells



Magpie Tales 65

Confession Tuesday

Tuesday brings me to the confessional once again.

Dear Reader:

It's been one office baseball day and another official work sanctioned holiday since my last confession.

No wonder last week seemed to go by fast. Admittedly the perception of how fast the week is going by can have an impact on my general disposition. It's true. For example since we had Monday off it made the weekend a three day weekend form me and this coupled with being out of the office most of the day Thursday for our office Royals baseball event really has impacted my view of both last week and the week. I confess this is however not all good, It make the week seem to go quickly which I love. It can also add pressure to get more done in less time. It's the price you pay for the added value of time away from the office.

Friday night after work I attended the second exhibition of Jennifer Rivera's work at the Apex Art Space in the Crossroads District. This is the exhibition that combined poetry and painting and included two of my own poems along with the artist's painting.  This was an art date for me. A time to spend in communion with art and just take it in. To breath and experience. The first exhibition had many of my friends in attendance and I tried to spend time with each of them. It was and awesome experience but did not give me quite the ability to experience as much of the work. I confess the attention from the first night was nice, but the more reflective nature of this second experience was nice too.  I confess that I need to experience more art dates.

May your week go fast and you find some art in the world to experience!

Hungry Baby

The hungry baby pictured to the right is a baby robin nesting upon the light fixture between our two garage doors. I've been watching the mother for over a week now but this us the first time I've seen the baby. Mom has been especially tolerant of our coming and going in the car and other movement out front - though she draws the line with the garage doors themselves.

It seems we've had a bumper crop of birds this spring. Wrens, sparrows, robins, blackbirds.  Over the winter months there were both cardinals and blue jays. I'm fascinated with birds.  While I've used them on occasion in poems I've written, I don't recall going overboard with them in my writing or particularly writing specifically about them other the the geese that frequent our neighborhood during two periods each year.

It's a warn sunny day today, I have the day off work due to the birthday of Harry S Truman. I've been tackling a number of things today which fits right along with Kelli Agodon's post today. I loved it when Kelli fields questions from her readers. This post is titled: How DO You Get So Much Done?
Check it out!

Anyway, I've got more stuff to do, just checking in for now. Likely will post again much later.

Another First Friday Opportunity - Synesthesia - Poetry and Painting Exhibit Tomorrow Night

In case you missed it last month - or just want to take it in again, tomorrow is First Friday in the crossroads art district and Jennifer Rivera's Exhibition titled Synesthesia is open at Apex Art Space -  1819 Wyandotte - Kansas City, Missouri  from 6 - 9 PM. Synesthesia combines the art of poetry and painting. Jennifer has 37 paintings on display along with the poetry which inspired her creation. Two of my poems and her paintings are among them.  Music - Painting - Poetry all make for a fun night.  Hope to see you there!

A Rilke Moment

He reproduced himself with so much humble objectivity, with the unquestioning, matter of fact interest of a dog who sees himself in a mirror and thinks: there's another dog.  ~ Rainer Maria Rilke

Confession Tuesday - My Cheese edition

It’s been one office move (my wife’s), lots of road construction and an end to National Poetry Month since my last confession.

Dear Reader:

Someone has moved my cheese. There was a book (author’s name escapes me) that came out in the 90’s or maybe it was even the 80’s titled Who Moved My Cheese and it dealt with how people handle change or disruption.

During this past week my wife’s office relocated. The new location is actually closer to my own office and my initial thoughts were this is a good thing. But even changes that are good can sometimes be stressful or disrupt the normal order of things. Some people do better than others with such changes. I confess that I am not one of them. There may be a lot of disorder in my life but it’s my disorder and I am accustomed to it.

The biggest issue with the move really has more to do with orange barrels then anything else. I don’t know about other states but in Missouri orange barrels and road construction are synonymous. Rather then driving in towards town, exiting before we hit downtown and dropping my wife and the proceeding through city streets I’ve driven for years it means we take the highway all the way into downtown. This involves portions of highway that are down to two lanes. It’s slower and sometime akin to a highway parking lot. I confess that right now I see a long summer of Interstate-70 delays.

This last week has also seen a disruption in my writing. Actually two weeks now, I really need to discipline myself better. I feel right now I’m teetering on the verge of being unbalanced and falling. I confess this and my cheese being moved has gotten to me.

Magpie Tales - 64 Poem: Mother

Mountains I remember.
The rocky earth
not that distant
from our splintered cabin
but there is a dearth
of mother in my memories.

I'm told as a baby
I was held a fixture
in her arms, took from her
breast and was lavished
with attention.


A hushed woman
but one to hold
her place
in the rustic life
she was given
until she vanished
from all but the faint
recall of people.

2011 @ Michael A. Wells

Magpie Tales 64

**sigh**

It has occurred to me that I have a growing number of early drafts in journal and saved in various places that I need to get organized better so that I can actually go to them to work on them.

For a while I was really good about organizing these but it's gotten out of hand.

Anne Sexton from Beyond - Part Two in my Dead Poet Mentor Series

This week I've continued to be in communication with my dead poet mentor. Our communication has taken on several forms. The most common has been to speak to me through her poems. Let me explain what this has looked like. As I've read through various of Sexton's works this week some have been worthwhile reads but have not  elicited any remarkable internal reactions. On other occasions however, I've been prompted to consider fresh ideas on which to draw from in writing. I'm not talking about writing on the same subject as the poem in question, but rather drawing upon an image I'm finding within her words or seeing something that has taken me back to some experience of my own from the past that I'm seeing - unfold in some freshly developing language that I believe will carry over at some point into my writing.

Another way that Anne has been communicating with me is through her letters. Anne Sexton, like many poets of this same period was a prolific letter writer.  It's pretty easy to get inside Anne's head in these writings. I say this because these letters leave her quite vulnerable to anyone who would read them.  I've spent a good deal of time and energy studying Sylvia Plath and there is a stark difference between Sexton's letters and those in Plath's published, "Letters Home."

If one compares Sylvia's "Letters Home" and her Journals side-by-side, it becomes clear that what Sylvia was saying to her mother and what she was journaling  were often quite different. If one did not know any better you might even conclude these were not written by the same person.  Plath were out of her way to paint a picture for her mother's benefit that was about controlling the message. Her journals seem on the contrary to be a much more honest assessment of the authentic Plath.  This too is how Anne appears in her letters, authentic to a fault.  I'll have more to say about Anne's letters at a later time, but the point I am making now is they are quite revealing.

The last aspect of Anne's communication is through biographical material.  While Biographers may sometimes extrapolate on certain facts to reach differing conclusions, we can come to learns some things about a person that seem to be indisputable. When we learn some important truths about a person's life - it can help us to understand how these thing come to inform that person's writing.

So you have a bit of the "how" part of of my mentoring under a dead poet. Later in this series I'll talk more in depth about what Anne has actually been conveying to me.

 Part One - My Selection

Many Making Their Own Reality - Donald Trump Only Encourages This

If I may deviate from poetry for a moment... my apology to readers but it seems we in this country have deviated from very pressing matters to engage in at a minimum silliness and arguably a very blatant hate bating. 

Birtrhers have for half of a presidency continued to question the legitimacy of Obama's Presidency on the basis of his nationality. They have done so in spite of the existence of birth records. This craziness has continued and many prominent Republicans have encouraged it with half backed responses when questioned. "Well, I take him at his word," is only an encouragement for others to continue to question

Enter Donald Trump... his nearly daily questioning and insistence on the president producing a long form certificate brought this story into the mainstream media. His circus atmosphere came with sweeping accusations that he has had people on the ground to flush out the truth, that truth he insinuates is that the president is a fake, a fraud!

Of course Trump - who threatens that he (Trump) is the last person Obama wants to run against, has provided no evidence contrary. He has not produced these people "on the ground." Words, all words. And words don not truth make. 

Now that Obama has released the long form certificate, Trump says he is glad he got the president to do something no one else could. And he adds he hopes it is authentic, but says it's too early to say. Meanwhile Trump has started another question to Obama's integrity. He now says that he has talked to many people who have informed him that Obama was not a very good student. And Trump has many friends who should have been able to get into Harvard but didn't... so, how is it that Obama got in? This is where Trump plays the race card. After all, how could Obama possibly have been qualified for Harvard Law School? 

Lies! Trump is a blatant liar! He throws out this stuff as if fact, knowing full well that an unbelievable large segment of the population is gullible enough to believe it without any foundation of truth offered simply because they want to believe it.

Will Trump really run for president? Maybe... but I'm not counting on it. I think he has two objectives in mind. First, to boost his ego and ratings on his TV series and second, to play the bad guy... to be the hammer that pounds away at Obama to try and bring his numbers down in the poll. He never has to run, in fact will be accountable for much less if he never actually enters the race. 

He's the tough talking guy that fires people on a TV reality show. Reality show? Trumps view of reality is whatever he wants it to be. Much the same as every other birther.

Confession Tuesday

It's Tuesday again and I find myself at the virtual confessional.

Dear Reader-

It's been one mowed lawn and lots of rain since my last confession. I confess I'm fearful how high it will be by the time it is dry enough to mow.

This week I am dog sitting so it is later then normal by the time I settle in for the night.  Looking after these two dogs, it is still much quieter then at home.  I had expectations of getting a lot of writing done in the evenings this week but so far I've brought office work home with me every night. I confess that I'm conflicted by this. On one hand I want to walk way from the office clean and not have to think about it till the next day.  At the same time, getting a bit of work done in the evening makes the next day not quite so overwhelming.

While driving an listening to  NPR this week I heard a story about the two remaining (long running) soap operas coming to an end soon.  I confess I felt a bit sad and I'm not a consumer of their programing.  The thing is that recalling the women in my life, most if  not all at one time or another were dedicated watchers.  I realize this is the end of an era. Grandmothers to daughters to granddaughters passed down this practice and in many cases obsession.  In a way, soap operas were sort of the social media of yester-year. You couldn't text but many people probably spent more time then they should have watching them and then everywhere women gathered they talked about the characters like real people in their lives.

I confess that I've been living on the edge these past couple of days.  Sunday we had a flat and I put the donut (spare) on and have been driving with it since.  That of course means I'm now driving with no spare. And another confession...the other three tires are at the end of  their life as well. I've replaced all four this afternoon and I confess I will feel better driving tonight.

Lately I have been more focused while working on a manuscript.  I'm starting to see threads that pull a number of poems together and this is both scary and exciting at the same time.  I just hope this is not a case of the Monkey House as Kelli puts it.

I give you the images I know...

“I cannot promise very much.

I give you the images I know.

Lie still with me and watch.

We laugh and we touch.

I promise you love. Time will not take that away.”

 

~Anne Sexton

 

The images I know tonight...

 

• A sofa of zig-zagged pillows.
• An asphalt road that curves right - forever. 
• A bird nest driven into a tree by tornadic winds.
• The river running rampant outside its banks.
• A starless sky adrift upon ceiling.
• Tired brown eyes - like no other,

Magpie Tales - 62 - Poem: Gemini Sunrise

A Gemini sunrise
medium, split open—
the morning
bread was broken
the day began

 
 

2011 © Michael A. Wells

 
Magpie Tales 62

Cats & Writers

A catless writer is almost inconceivable. It's a perverse taste, really, since it would be easier to write with a herd of buffalo in the room than even one cat; they make nests in the notes and bite the end of the pen and walk on the typewriter keys. ~Barbara Holland


Photo: Evie -  whiteboard

Thursday Thought - Charles Simic

"Here in the United States, we speak with reverence of authentic experience. We write poems about our daddies taking us fishing and breaking our hearts by making us throw the little fish back into the river. We even tell the reader the kind of car we were driving, the year and the model, to give the impression that it’s all true. It’s because we think of ourselves as journalists of a kind. Like them, we’ll go anywhere for a story. Don’t believe a word of it. As any poet can tell you, one often sees better with eyes closed than with eyes wide open."    — Charles Simic



In the darkness of my mind
it's cobwebbed cold
strings flap in the current
that blows       grease are frozen
in flight        and still against the hope
that dawn brings a thaw
and wisps of interest that is lacking
as the stars are silent

© 2011 - Michael A. Wells



Closing your eyes... what do you see?

Dead Poem Mentor Series - Part One: My Selection

As I have mentioned before, while mentoring under another poet it was recommended to me that I select a dead poet mentor; a concept that seemed a bit odd at first but grew on me as I came to visualize the possible benefit. With so many dead poets (you know how most people think they all are dead) I had quite a field to choose from.

I’ve read (and own) an extensive collection of biographical martial, poetry and letters on Sylvia Plath a as well as Ted Hughes. I know Plath well enough already that I will sometimes read little things that I instantly know to be at odds with most biographical material and I therefore passed on Plath for the simple reason I have already become well acquainted with her and I want my dead poet mentor to be able to reveal new things to me. 

In the end, it would be Anne Sexton that I would choose for a couple of reasons but the priority in this selection was placed upon the fact that Anne was not schooled in poetry in the traditional manner. No MFA or anything close to the academic equivalent for those times. Yes she took some classes and workshops from the likes of Lowell and other well known poets but her formal education was limited. She came to poetry initially as a form of therapy but in the end her work progressed to the point that she was able to carve out an acceptance among the academics of her time. Her reputation would ultimately earn her teaching positions at several universities. In a way I view Anne Sexton as the patron saint of the “self made” poets. She was able to elicit help from others, but she found her own way to the success she achieved as an enormously significant voice among 20th century poets.

So at least for the time being, Anne Sexton is my choice for a dead poet mentor. To learn as much as I can about her, about her work, to be able discern her particular voice. To turn to her at times for inspiration and to get past writing blocks and at moments of need, to ask the question, “What would Anne do?”


And the great thing is she can’t say no to me.


* Series continues.

Confession Tuesday

Dear Reader-

It's been 6 says since my "late" non-confession confession. 

In the past week it has occurred to me that I've done very little for the sake of National Poetry Month this year.  Normally I do a very nicely printed - special edition - numbered broadside. I elected not to do it this year, or my budget sort of made that decision for me.  I decided not to do a-poem-a day either. I confess that I'm not especially disappointed on the latter but I do regret I don't have the broadsides to distribute.

I've never been a big fan of the hiaku.  I've written a few and occasionally I hear one that I like but I'm just not a big fan for the from. A poetry friend recently gave me a book entirely of baseball hiaku.  I confess that I've been enjoying these bits that seem to roll of the page like a seeing eye single that slips through the infield for a hit.  Golden little gems.

I had another rejection letter today and I confess I should be busy sending out more work tonight but I'm tired and maybe tomorrow night.  Definately tomorrow night.

That's it for this week. A little boring perhaps - but hey, I'm on time!

Have a graet week!  

Monday Morning Disclaimer

I did a bit of a makeover on Stickpoet this weekend... I'm contemplating a few other changes but they should be minimal. I hope the background is agreeable to readers. While I liked my old color scheme some had indicated the background art made it difficult to read.

My "Dead Poet Mentor" series which was to have started over the weekend has been delayed in part to get the Terresa Wellborn Interview up and to make the aesthetic changes to the blog site. Look for the Series to start on Wednesday.

Double Excitement

It's always exciting to have one of your pieces of work appear in a venue that you've never apeared in before.  It's double exciting if that Journal is Rose and Thorn! 

The Spring Issue is out and I have a poem titled House Arrest that is appearing in it.  Check out the Spring Issue by clicking here!