In Kansas City, Missouri the Crossroads Art District has transformed vacated light business manufacturing structures into a thriving area. To the south of the Power & Light Entertainment area it offers yet another reason for people to go downtown at night rather then workers flee the business area for the suburbs come 5 p.m.
One of the successes of Crossroads has been to stabilize an otherwise declining or at best stagnate part of the city. This has not happened overnight but has grown and in some respects once might consider that it has been enough of a success that for the new artist seeking a place to hang his or her hat & art, the options available may be tougher to find. This has been the case in many other successful urban areas who have sought to revitalize areas by attracting the Bohemian demographic.
Such urban planning in many big cities began several decades ago. For Kansas City, the growth began perhaps less then ten years ago. This year however, the completion of our new center for preforming arts nearby is like icing a cake.
A New York Times piece by Elizabeth Curric-Halkett, Where Do Bohemians Come From? discusses the phenomenon of cities getting into the act of
job creation in the arts. Currie-Halkett who is an assistant professor of urban
planning acknowledges the success takes more than grants and tax breaks to make
an art community that thrives. The Crossroads area in Kansas City had a lot of
the kinds of structures that she insists are necessary for the success of such ventures, like oversized buildings, oversized doorways, lots of concrete flooring.
I am well aware that the
neighboring state of Kansas has battled Governor Brownback over funding for the
Kansas Arts Commission. These are not easy economic times for any industry and
people often look at the arts as one of the first places to cut. Going clear
back to my days in school the music and other art departments were constantly
fighting to maintain levels of funding much less come under the knife.
There is this common portrayal
of art as something for the rich. A frivolity that is not needed by most and therefore
of less importance. Actually it is times like these when I feel that art has
the most to offer. It is the distraction so many need from unemployment, foreclosures
and food pantries. Art is a human experiance and is most importamt at those junctures where humanity is most threatened.
I hope we see more successful art districts spring up throughout the country in the next couple of years and I sincerely hope that people everywhere get to experiance the art they deserve.
Sunday, October 16, 2011
Magpie Tales 87 / Poem: Lynching
There has been a lynching-
Mass retribution
for what I cannot say.
Was it the down in the pillows?
Not enough fluff?
Whatever the cause
these ducks hang in public
perhaps to make an example
though I doubt their kind
dip to do flybys
of the market district.
Someone will
take them home for dinner
celebrate their demise
with duck soup.
Michael A. Wells
Magpie
Saturday, October 15, 2011
Journal Bits
Friday Sept. 30 - "This summer mercury tattooed itself to my skin."
Saturday, Oct. 1 - "Work rides a conveyor belt to my desk. On occasion I'm not fast enough - things come crashing down."
Wednesday, Oct 12 - "The still has settled to the top of my desk.... these morning moments of silence will not last. My body craves them as if it were some drug; the antidote for worries."
Thursday, Oct. 13 - Nicole Rushin's words (from a blog post) have some resonance to me, especially the last sentence. Do I often really let my inner voice be heard? By anyone, including myself? Something to think about.
Saturday, Oct. 15 - "The mix of night air and city/only incite party desire/ assembly was required."
Saturday, Oct. 1 - "Work rides a conveyor belt to my desk. On occasion I'm not fast enough - things come crashing down."
Wednesday, Oct 12 - "The still has settled to the top of my desk.... these morning moments of silence will not last. My body craves them as if it were some drug; the antidote for worries."
Thursday, Oct. 13 - Nicole Rushin's words (from a blog post) have some resonance to me, especially the last sentence. Do I often really let my inner voice be heard? By anyone, including myself? Something to think about.
Saturday, Oct. 15 - "The mix of night air and city/only incite party desire/ assembly was required."
Unconscious Mutterings Week 454
You say and I think:
Get your own list here
- Fever pitch :: (nothing comes to my mind instantly)
- Unwarranted :: violence
- Breaking :: News
- Stars :: Twinkle
- Thursday :: Child
- Tips :: waitress
- Recommend :: Realtor
- Season :: greetings
- Increased :: interest
- Depressed :: market
Get your own list here
Tuesday, October 11, 2011
Confesson Tuesday Poetry Night Edition
Poetry Night Confession-
Dear Reader:
I just got in not long ago and I'm fulfilling my confessional obligation. I met with the Northland poetry people tonight. It's a long way from my home turn and the location is even further then it used to be but I left from work so the worst part of the drive was returning home.
I've not been out an about a lot lately. That's not so much a confession as it is simply a fact. Since I was experiencing one of those doubtful moments all writers have only days ago, I seriously thought about not going but my wife was staying late in town at here office so I figured what the heck.
One of my writing friends who I will call Pat ( her real name) was all aglow having gone to Chicago the other day to hear W.S. Merwin do his poetry day reading. I confess that I was majorly envious of Pat for having made the trip to the reading. I mean Merwin! In my estimation he is among the Deans of American Poetry. As it was I brought a copy of Merwin's Migration to read from. This brings me to my next confession.
Pat asked to borrow my copy of Migration. I confess that I've never been one to lend books often. I don't know why. I don't have a history of not having them returned. I think it must stem from the fact that I have books that I read and reread often so it seems hard to separate myself from some of my favorites. At any rate, Pat asked and I actually let her barrow it. Knowing how excited she was about Merwin, as I write this I'm actually very glad I lent it out. Migration is chucked full of his work and she will be exposed to a lot of really awesome poetry. Amen!
Dear Reader:
I just got in not long ago and I'm fulfilling my confessional obligation. I met with the Northland poetry people tonight. It's a long way from my home turn and the location is even further then it used to be but I left from work so the worst part of the drive was returning home.
I've not been out an about a lot lately. That's not so much a confession as it is simply a fact. Since I was experiencing one of those doubtful moments all writers have only days ago, I seriously thought about not going but my wife was staying late in town at here office so I figured what the heck.
One of my writing friends who I will call Pat ( her real name) was all aglow having gone to Chicago the other day to hear W.S. Merwin do his poetry day reading. I confess that I was majorly envious of Pat for having made the trip to the reading. I mean Merwin! In my estimation he is among the Deans of American Poetry. As it was I brought a copy of Merwin's Migration to read from. This brings me to my next confession.
Pat asked to borrow my copy of Migration. I confess that I've never been one to lend books often. I don't know why. I don't have a history of not having them returned. I think it must stem from the fact that I have books that I read and reread often so it seems hard to separate myself from some of my favorites. At any rate, Pat asked and I actually let her barrow it. Knowing how excited she was about Merwin, as I write this I'm actually very glad I lent it out. Migration is chucked full of his work and she will be exposed to a lot of really awesome poetry. Amen!
Sunday, October 09, 2011
Textural Writing
One of the things I love about fall are the variations. Not only the variations in colors but textures as well. Perhaps this too is one of the reasons I love poetry or language in general. We have the ability to deepen the mental picture of what we a saying by giving texture to it.
When I think of texture and poetry there are a variety of things that come to my mind. One is the texture that develops one the page. White space / black space. Letters forming blocks or more jagged edges.
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X XXXXX
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Another aspect would be the flow of the sound when a poem is read. The rhythm, the intonation, organization of syllables, etc.
I've seen a poem in which a rosary is mentioned and the stanzas seem to be connected like decades of a rosary. The visual impact was impressive.
What are some of your favorite ways to incorporate texture in your poetry?
Saturday, October 08, 2011
Unconscious Mutterings Week 453
You say and I think...
Get your own list here
- Quivering :: knees
- Eclectic :: varied
- Superimpose :: image
- The best :: ever
- Aches :: & pains
- Vinyl :: covers
- Hot and cold :: running
- Girls :: mean
- Wall :: paper
- Baby :: doll
Get your own list here
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